Miguel Rio Branco

In 1976, a great rock show, called "Som, Sol & Surf", took place on Itaúna beach, in Saquarema and also had a surfing championship. For three days, a crowd of young people enjoyed songs by Rita Lee, Angela Ro Ro, Raul Seixas and others.

In 1988, the centenary of abolition of slavery in Brazil, Zózimo Bulbul made this powerful historical analysis of racial issues in his country. This documentary provides an in-depth look through extensive archival researching and interviews of key figures who were involved in preserving black culture. Aside from historical testimony, this epic documentary also points to the current relevance of facing the racism that still confronts the black population in Brazil.

An exercise in gentle voyeurism revealing glimpses of the secret side of Salvador, the capital city of the Brazilian state of Bahia, filming a derelict prostitution zone.

An exercise in gentle voyeurism revealing glimpses of the secret side of Salvador, the capital city of the Brazilian state of Bahia, filming a derelict prostitution zone.

An exercise in gentle voyeurism revealing glimpses of the secret side of Salvador, the capital city of the Brazilian state of Bahia, filming a derelict prostitution zone.

Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.

In Manhattan and Wall Street's majestic, neoclassical architecture, characters try their luck, ambiguously posted between the mundane and transcendence.

Fragments of a film never finished, shot in New York in 1972, including scenes in the home of Hélio Oiticica. Last film made in exile by Bressane, it mimics the experimental concept of "quasi-cinema" by Hélio Oiticica. It consists of a fragmentary experience of freedom, in super-8 and 16mm, in a code out of time, out of the square, while recreating (with different cameras) the wild and sensitive look that Oiticica dedicated to cinema.