Matthaios Voulgaris

参加作品

Μαριονέτες
Production Manager
A journalist returns to a dark, virtually unrecognizable Athens to investigate his best friend's murder. The victim's girlfriend gives him a hand but they soon realize they either have to abandon their investigation or become cogs in a powerful machine. Marionettes is a story of mystery, shot in an unknown, dark and full of temptations Athens.
Wednesday 04:45
Production Manager
Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios' house must be decorated.
Correction
Production Director
This is not an easy mystery to solve in all its subtleties. In the last paragraph, I give my take on the characters. I won't give away the principal spoiler. Still, if you want to exercise your Sherlock skills to the fullest, skip that last paragraph. I'll warn you. A man leaves prison. He has been paroled. The best he can do at first is stay at a shelter for poor people and look for work. In the meantime he tries to reconnect with people he knows and to avoid the attention of several shady individuals that know him. That's the layout. The mystery elements arise from the fact that he is rejected by a few, pursued by a duo of suspicious looking men, and approached by a bunch of unsavory roughnecks that know him well. Why the rejection? Why the persecution? What is the gang about? The film is parsimonious about handing out hints and clues that we need to answer those questions. The best we can do is work out hypotheses and see if they pan out at the end.