Luciano Coelho

The story of seven free women who remain captives in the name of love. In love with inmates, they live the limitations of the relationship and the hope of one day starting a family outside. The film addresses this universe through emotional confidences, letters lovingly decorated and a privileged access to the intimacy of the couples.

The Cold Line of the Horizon is a music documentary feature film about the work and thoughts of a group of songwriters from Uruguay, Argentina and Southern Brazil who share the fact that their work represents the landscape and the local feeling and ignores the borders among their countries.

The sound of something falling, broken glass, car alarm triggered. She runs down the stairs of the building and faces the scene. With desperation, she moves away, leaving in the background the bloody body of a man fallen into a wrecked car. In a blood bank, she fearfully awaits for the time to donate. He appears in front of her. A ghost? A memory? The moment of the blood donation will reveal the pain and the challenges of the couple`s separation.

The sound of something falling, broken glass, car alarm triggered. She runs down the stairs of the building and faces the scene. With desperation, she moves away, leaving in the background the bloody body of a man fallen into a wrecked car. In a blood bank, she fearfully awaits for the time to donate. He appears in front of her. A ghost? A memory? The moment of the blood donation will reveal the pain and the challenges of the couple`s separation.

What makes a free woman choose a prisoner to develop a loving relationship? “The Visit” is a film about love in this special condition. Among the characters, some met their partners in the penitentiary; others had been visiting their husbands for decades. They feel valued by them and say they are well loved. They are women who insist on a relationship full of constraints and privations, even suffering various consequences of this option on a daily basis. In this film the prison universe is almost exclusively present in the report of the women, and never from the point of view of the husbands.