Kester Lovelace

In a near future where artificial intelligence reigns supreme, human emotions have become a threat. To get rid of them, Gabrielle must purify her DNA by going back into her past lives. There, she reunites with Louis, her great love. But she’s overcome by fear, a premonition that catastrophe is on the way.

Sandra lives in a small apartment in Paris with her eight-year-old daughter. She regularly visits her father, Georg, who suffers from a neurodegenerative disease that undermines his capacities day by day. While she embarks with her family on an obstacle course through nursing homes to install Georg in a safe place, Sandra unexpectedly runs into Clément. Although he is unavailable, a passionate relationship begins.

世界的ベストセラー・シリーズの完結編を各国同時出版するため、9カ国の翻訳者が片田舎の洋館に集められる。だが、そこに脅迫メールが届いて……。『ダ・ヴィンチ・コード』シリーズ出版秘話に基づく大逆転ミステリー。

Ostriches carry on their daily activities burying their heads, believing it’s an instinctive behavior. However, one day research by phylogeneticist Dr. Kays proves otherwise.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.