Haruko Tôgô
出生 : 1920-03-15, Tokyo, Japan
死亡 : 2011-03-03
黒澤明監督自身が見た夢をベースに、時に美しく、時に残酷な8つの物語がオムニバス形式でつづられ、豊潤なイメージ世界が描かれる作品。きつねの嫁入りを見た少年の話「日照り雨」。花吹雪の中、人形たちが舞い踊る「桃畑」。戦争で生き残った男が体験する不可思議な物語「トンネル」。ゴッホが絵画の世界に入り込んだ「鴉(からす)」。原発の恐怖を描いた「赤富士」など、8つの物語が、時に美しく、時に残酷にオムニバス形式でつづられていく。黒澤監督の豊潤なイメージ世界を堪能できる作品。
Kaede's lady in waiting
戦乱の世を生き抜いた武将・一文字秀虎も70歳を迎え、家督を息子3人に譲ることを決意。長男の太郎には一の城、次男の次郎には二の城、三男・三郎には三の城をそれぞれ与えた上、3人兄弟、仲良く相和して暮らすように説く。だが、三郎は、父の今後の身を案じたのがかえって秀虎の不興を買い、地方へ追放されてしまう。さらに3人兄弟の城を泊まり歩いて余生を暮らすつもりだった秀虎だが、太郎、次郎にそれぞれ疎んじられる。
「男はつらいよ」シリーズ第17作。上野の飲み屋で、みすぼらしい老人と出会った寅さんは、気の毒に思いとらやに連れて来てしまう。その老人は、日本画の大家・池ノ内青観(宇野重吉)だった。世話になったお礼として青観が描いた絵をめぐり、とらやでは大騒動が巻き起こり、寅さんは旅に出ることに。ところが兵庫県龍野で、寅さんは青観と再会、市長の接待を受け、芸者ぼたん(太地喜和子)と意気投合。しばらくして、ぼたんが、客だった鬼頭(佐野浅夫)に貸した二百万円を踏み倒されそうになって、上京。あまりにも理不尽な事態に、憤慨した寅さんは・・・
Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?
Kindergarten principal
A story depicting the challenges faced by today's youth in working to build a better tomorrow, based on the theme of Toshiba's progress as one of Japan's leading manufacturers of electronic and electric goods.
A Toho comedy film staring the Crazy Cats.
Middle-aged lady A
何をやっても面白くない。退屈な日々を過ごす洋酒メーカー勤務のサラリーマン江分利満は、酒の席で編集者と意気投合し、雑誌に小説を書くことになった。編集者は彼のくだ巻きの見事さに感心したのだった。満は自分の人生を振り返り、自分をモデルとした小説を書いて雑誌に発表。「江分利満氏の優雅な生活」と題された作品は評判を呼び、ついには直木賞を受賞。祝いの席上で、満はまたまたくだを巻いてしまう。
The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.
Kitagawa Teruko
京都の造り酒屋・小早川の長男は早く死に、その未亡人の秋子に親戚の北川が再婚話を持ってくる。相手の磯村は鉄工所の社長でちょっとお調子者だ。また、次女の紀子も婚期を迎えて縁談が持ち込まれるが、彼女は大学時代の友人で、札幌に転勤することになっている寺本に思いを寄せていた。一方、小早川の当主・万兵衛は最近、行き先も告げずにこそこそと出かけることが目立つようになった。店員の丸山が後を尾けるが、したたかな万兵衛に見つかってしまい失敗。小早川の経営を取り仕切る入り婿の久夫と長女の文子夫婦が心配して行方を突き止めると、そこはかつての愛人・佐々木つねの家だった。さんざん死んだ母を泣かせた万兵衛の女好きがまた始まったと怒る文子。万兵衛はつねとその娘百合子との触れあいに、特別な安らぎを感じているようだったが、そこで倒れて亡くなる。葬式の日、紀子は秋子に札幌へ寺本と一緒に行く決心を告げるのだった。
Ono woman
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
A kind of modern dress "Donzoko" "The Lower Depths", about slum life in Osaka, where a greedy widow (Mimasu) takes advantage of her poor roomers, including her own son, who makes a meagre living stripping taxicabs.
Starring Akira Takarada as a lightweight boxing champion.
Shizuko (Fujisaki's wife)
夫を亡くした圭子は、外国人マスターが経営する銀座のバー“ライラック”の雇われマダムだった。よく店に来ていた利権屋の美濃部が、かつて圭子の下で働いていたユリに店を持たせ、そちらへ頻繁に出入りしているようだ。マスターからはユリのように体を張って売り上げを回復させろと言われてしまう。ある日、狂言自殺をするつもりだったユリが本当に死亡した。葬儀の席で圭子は美濃部に食ってかかるが、血を吐いて倒れてしまう。酒の飲み過ぎで胃潰瘍にかかっていたのだ。やがて圭子は客に体を許すようになるが、その度に裏切られてしまう。
Hisako Inao
An Ishiro Honda film.
It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?
With one of the busiest film industries in the world, Japan was able to submit several films into competition at the 1957 Berlin Film Festival. One of the best of these was Arashi, directed by Hiroshi Inagaki of Rickshaw Man fame. Anticipating Hollywood's Table for Five by nearly a quarter of a century, the film concerns the efforts by a recently widowed high-school teacher to raise his four children alone. Chihu Ryu is terrific as the central character, while Izumi Yukimura is even better as Ryu's eldest daughter. For reasons unknown, Arashi is often omitted from "official" lists of Inagaki's films.
Nobuko, Shinichi's Mother
Rin Amayama
A husband and wife's pet peeves and minor irritations escalate into major rifts and animosity.
Yoshi Nakajima
町工場を経営する財産家・中島喜一は突然、原水爆とその放射能に対して強い恐怖を抱くようになり、地球上で唯一安全と思われる南米ブラジルへの親類縁者全員の移住を計画する。しかし、このあまりにも突拍子もない行動に対し、現実の生活が脅かされると感じた家族は喜一を準禁治産者として認めてもらうため裁判にかけるのだった。
Geisha
Japanese-Italian adaptation of Puccini's opera.
During the Warring States era of early 17th century Japan, teenage princess Sen is besieged with other members of her family in Osaka Castle, by a rival force led by her grandfather.
1953 Hiroshi Inagaki movie.
Azuma Hotel madame
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
Toru Emori leads the cast as Hirate Musashi while a Hiroshi Fujioka competes with him as Okamoto Musashi. They must not only contend with the Yoshioka and Yagyu fencing schools, but have to take on Chiyonosuke Azuma as Sasaki Kojiro, and deal with the women who pursue them for love. Unlike the Yoshikawa Eiji novel which is not historically accurate, this film offers a new view of Japan’s greatest hero! The film is based on the novel by Kosuke Gomi!