Cyan Meeks

Phainesthai explores the Tallgrass Prairie National Preserve that is located at the geographical center of the United States and is considered one of the most scarce and endangered ecosystems in the world. The film is an experiential non-verbal documentary addressing how geological and ecological memory can engage individual experience by the embodiment of place with human understanding and aspirations.

Phainesthai explores the Tallgrass Prairie National Preserve that is located at the geographical center of the United States and is considered one of the most scarce and endangered ecosystems in the world. The film is an experiential non-verbal documentary addressing how geological and ecological memory can engage individual experience by the embodiment of place with human understanding and aspirations.

Phainesthai explores the Tallgrass Prairie National Preserve that is located at the geographical center of the United States and is considered one of the most scarce and endangered ecosystems in the world. The film is an experiential non-verbal documentary addressing how geological and ecological memory can engage individual experience by the embodiment of place with human understanding and aspirations.

Phainesthai explores the Tallgrass Prairie National Preserve that is located at the geographical center of the United States and is considered one of the most scarce and endangered ecosystems in the world. The film is an experiential non-verbal documentary addressing how geological and ecological memory can engage individual experience by the embodiment of place with human understanding and aspirations.

Phainesthai explores the Tallgrass Prairie National Preserve that is located at the geographical center of the United States and is considered one of the most scarce and endangered ecosystems in the world. The film is an experiential non-verbal documentary addressing how geological and ecological memory can engage individual experience by the embodiment of place with human understanding and aspirations.

Artist and director Laurel Nakadate takes us beyond the prepackaged and sanitized world of the Jonas Brothers and Hannah Montana to the true heartland of America and the tween-aged girls that inhabit it. In Kansas City, pop culture is something to be twisted and reshaped, relationships are either nonexistent or refabricated, and time is unstructured and teasing. At the heart of these girls' lives—and this innovative work of cinema—is a quest for understanding and a sense of place. The risks run and solutions posed engender both laughs and tears. The film's amateur actors and nonlinear narrative bring an unnerving, utterly human face to the challenges of young womanhood in a world that would prefer that girls watch the Disney Channel.