Omar Pareja

Alejandra returns to Peru. She discovers that her father is alive and in prison. Soon, her journey will become a voyage of inner discovery that will bring her closer to her father, her country, and her own identity.

Los Fabulosos Wembler's de Iquitos are a mythical Amazonian cumbia band from Iquitos with more than half a century of history that fights to prevail in their hometown and in Peru, while being widely recognized abroad.

From his modest apartment in Lima, a teacher gives virtual classes, seeking to reflect with his young students with low socio-economic backgrounds on racism, politics and inequality: issues that resonate in an increasingly fractured country.

Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.

Dimas and Isabel lived in Arica when new border limits were imposed between Peru and Chile, dividing their descendants. Their great-granddaughter searches for her identity, crossing the limits of her memory, family chronicles and official discourses that shape the history of both countries.

Leonardo Oviedo is an ambitious theatre director, whose plays haven’t accomplished the success he dreamt of. Seeking for some recognition, he decides to write a play for four characters; a one-performance only, where all actors have to die onstage. On that matter, he casts an old has-been actor, who is an alcoholic, a fat actress, an endearing and intellectually disabled boy and a black actor, who has only been cast for the color of his skin. The play brings on a media hype never seen before, is an instant success and everyone is eager for the opening night. Whit defenders and detractors, the whole country talks about Leonardo Oviedo, and he will be willing to get to the very end, to fulfill this sickening artistic ideal.

Leonardo Oviedo is an ambitious theatre director, whose plays haven’t accomplished the success he dreamt of. Seeking for some recognition, he decides to write a play for four characters; a one-performance only, where all actors have to die onstage. On that matter, he casts an old has-been actor, who is an alcoholic, a fat actress, an endearing and intellectually disabled boy and a black actor, who has only been cast for the color of his skin. The play brings on a media hype never seen before, is an instant success and everyone is eager for the opening night. Whit defenders and detractors, the whole country talks about Leonardo Oviedo, and he will be willing to get to the very end, to fulfill this sickening artistic ideal.

Segundo sees silence as his only option for dealing with his father Noé’s secret. The 14-year-old lives with his parents in a village high up in the mountains of Peru. Noé is a respected artisan and Segundo’s role model. With loving eye for detail, he artfully crafts altarpieces for church and homes, and is preparing his son to follow in his footsteps. But cracks form in their tight bond.

In Peru, Sergio García Locatelli visits both those places where human life is fragile and personal fate is uncertain and those where death reigns, places where everything is already lost, where appeal is not possible. A walk in search of the meaning of death that is actually a celebration of life and the living.

After the death of a group of teenagers using the Ouija, the psychologist Fernanda and her son return to Peru, but they will find themselves surrounded by an evil entity as big as its wicked sect.

Balo, Villarán and Domingo are lifelong friends in their 80s, attending the funeral of their fourth comrade, Quique. On a whim, and fueled by their animosity towards the departed's shrewish wife, they steal the urn containing the ashes and are thrust into a series of misadventures.

Trip to Timbuktu is the story of Ana and Lucho, two teenagers who live in Peru. Their story of love, which starts in childhood, reveals the changes which took place in this country during the 80's. For them, the only way to survive in the middle of violence, poverty and lack of opportunities is through their love, a sort of refuge which has as its homeland an imaginary country called Timbuktu. Nevertheless, the reality will stand in their way and collapse their utopia.

A young girl convinces herself that she will die on the same day that her brother will be born.

The film tells the story of a Miraflorian family composed of Claudia, Daniel's wife and mother of Elías and Sofi. Their lives develop very normally until they are surprised with the terrorist attack on Tarata Street, with which Claudia suffers a very large loss that will make her react to events that happened in front of her for a long time.