Nikolai Urumov

The film was named after the short story “Petya of My Petya” written by the exceptional young poet Petya Dubarova. The director Alexander Kossev and the writers Valentina Angelova and Nelly Dimitrova lift the vail of the past to present Petya Dubarova and her talent to today’s young generations.

Based on the book: "Bobby The Blessed and the other American" (2015) by Emil Andreev. Pure love, priceless medicine and a accidental meeting with the future president of the USA - John Kennedy change the life of a man. Bombardment in Sofia during 1944 make him lose his mind, but he saves his innocent soul.

One night – seemingly just like any other. Two police officers find the body of the well-known drug addict Lazar near the railroad tracks in Sofia. This is how the night of 9 November, 2019 begins – 30 years after the fall of the Berlin Wall and the regime change in Bulgaria. Three teams of police officers are patrolling the streets of Sofia, doing their job as they believe is right, while facing the challenges posed by contemporary Bulgarian reality.

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

A thirteen year old kid, "the boy", lives and works in a cemetery. The cemetery is his whole life, and growing up with the dead instills in him an obsession and respect for death. His friends depend on him: An unhappy old man, a former political prisoner yearning for death, and makeup artist for deceased, a former artist who dreams of painting a masterpiece. The boy does what he can to help them. The old man attempts suicide, but upon learning the date of his death and seeing his beautiful plot chosen for him by the boy, he is able to bear his life. Upon meeting the beautiful Maria, "the boy" gives the former artist a surprise date with her. But when Maria and the artist become closer, the boy realizes that she is the daughter of the old man. The kid thinks the old man would die unhappy if he knew of her existence and so decides to hide the truth.

This is a story of strange, impossible, inexplicable love between a Muslim Turk woman and a non-Muslim Bulgarian man. Ivan (the Bulgarian) is a pure and romantic young fellow, who gets caught up in the so-called "regeneration process" (when ethnic Turks' names were forcibly changed to Bulgarian ones). He is responsible for the official seals, which is required to issue the new identity documents after the forced name changes. The schoolteacher Ayten tries to steal the seals, thinking that this way she can slow down the ethnic genocide. Their unexpected and unusual meeting brings these two characters together and makes them fell close, forcing Ivan to take a fateful decision -he must either "rename" Ayten, or face the consequences if he does not.

Two trains uncontrollably move towards each other within temporal boundaries of a human life. One of them is taking a genial young man to his unforeseen future; he would marry his beloved; have a son; become a brilliant doctor; do his duty and save the live of enemies of the communist regime; get a 20-years sentence for that. Prison would turn out to be an unbearable nightmare; his wife would eventually give in to the tortures of the authorities and seek divorce; this would mean no one to visit him in prison. 15 years without any news about his child, only a snapshot of his family on which the tree of them are smiling and happy.

During the German occupation of France, a young woman - Marie - finds a Jewish boy in her room. His parents and other Jewish neighbors have been just been deported, but Maurice (the boy) escaped. Marie decides to hide him, secretly.

Two friends (Katerina Didaskalo, Stefan Danalyov) are separated when their village is divided by Communism, but they meet again 40 years later and begin having an affair.

The story largely centers on a grandfather who finds himself deeply depressed by the dramatic downward turns Bulgarian society has taken. The changes of the past half century have created a deep communications gap between generations and he is unable to communicate with his troubled son. Nor is the old man able to do much to help his grandson who is making his first forays into criminal life, blaming it all on his mother who admits she is incapable of loving him. The grandfather tires of life with the bleak family and so goes to an old folks home. But that proves repressive, so he and a couple of friends leave to enact a money-making scheme. When that fails, the old man finds himself alone and destitute on the rough streets of Sofia where his despairing eyes witness the further ruination of his homeland.

To inherit a fortune, all Robert has to do is reopen a delapidated theatre and stage "Hamlet". Unknown to everyone else, Robert witnessed a murder in that theatre as a child... and the murderer is one of the cast.

Rosita, a plump and temperamental opera diva, leaving the shooting of Tristan and Isolde in Hollywood, to learn that the producer does not offer the title role in the upcoming film Romeo and Juliet. And travel to Bulgaria after accepting an invitation from Frank, a childhood friend who has a restaurant.

There is a small frontier post. A soldier abiding by the rules of the system gradually turns into a murderer.

It's 1980. Malin is fatherless, angry, and in trouble. At 20, he's spent a year in jail for assaulting a lover of Lily, his mother. In her desk he finds a soldier's photograph and assumes he's found his father. He confronts the man, now a teacher, and gets nowhere. At home again, he mocks his mother. Finally, she tells him her grim story, from the year before his birth. We see a people's court, where Lily's parents seek justice for their grandchild to be. We follow Lily to a prison camp, to the city where she's told to inform on the only person who's been kind, to an asylum, and finally to her current poverty and loneliness. How will Malin respond to these revelations?

In the spring of 1945 the war is still going on, but in Bulgaria the communists have already seized the power. The new rulers do justice according to their personal interests. This is the beginning of the era of Communism in Bulgaria - spiritual poverty, expropriation, destroying of the intelligentsia. In this chaos the main character, an actress fallen on hard times, wants to preserve her social status with every available means. She claims to be a Communist activist and, in order to gain access to the theater even shows a photo with the Bulgarian communist revolutionary Georgi Dimitrov's dog However, in order to survive, she has to resort to betrayal.