Evžen lives a bohemian life in Prague. An unexpected trip back to his homeland Switzerland confronts him with the smuggled crocodile Karlchen, his father’s sustained delusion and the grotesque charm of the bourgeoisie.
Music
Himself
saxofonista
The unpunished injustice brings three former prisoners into the small town – once they were bothered by the same StB agent. And this man owns the inn in this town now. These three men decide to take the justice into their own hands, but they find out that they have no talent for that... They meet femme fatale and give her emotion and place for living. In return she shows them the difference between the revenge and the punishment. They all go through eastern.
Self
hospodský, Drak (hlas)
Štěbenec
Tůma's film is a sovereign cinematographic space, which, broken up into many chapters, takes an unconventional look at contemporary Czech society. The opening political grotesque on the election of the President is drowned out by the ecstatic ramblings of philosophising (and chattering) fragments turning on the sought-out axis of life and the world, and especially the inward-looking images full of colourful objectivity and charming humour that is elevated to the level of pure poetry.
Self
Meet The Plastic People of the Universe, the avant-garde, jazz-rock, Sun Ra meets Velvet Underground, Czech revolutionaries. A tribute to the band that against all odds used the power of their music to help topple their oppressive government.
A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
Czech semi-documentary.
Story
Czech semi-documentary.
