Director
November 1980. Southern Iran. We are at the beginning of the Iran-Iraq war. Abadan, the capital of the Iranian petrol industry resists the repeated assaults of the Iraqi army, but is soon under full siege. Omid, a 14-year-old boy, has stayed back in the city, with his grandfather, waiting for his elder brother to come back from the frontline. Along with Omid, we discover several other uncommon characters, each one having stayed for a personal reason. Each one resisting in his own way. But as the Iraqi siege of the city hardens, Omid has to quickly find a way to save those he loves.
Karun, a stray dog, fights to survive in a chaotic environment ravaged by drought.
Writer
The brief but intense encounter of a Greek police officer and a Syrian refugee changes the way the two see this world.
Director
The brief but intense encounter of a Greek police officer and a Syrian refugee changes the way the two see this world.
Director
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
Director
The film is a well dug into the past. Made with bits of an unfinished film, "Red Shoes,” which was to be the director's very first auto-produced short film, but that remained “unborn” due to lack of money. What links the 16 mm footage that is the body of the present film, the poem that represents the heart of it, and the finished opus Letter to an Unborn Child represents close to thirty years of the Sepideh Farsi's life.
Writer
From Afghanistan, little is known but a few cliches, the word Taliban, and a war that seems to have never ceased since the Soviet era and its new turn taken since 2001. A country devastated in a state of permanent conflict, a population deeply marked: how to do it justice? Equipped with her only camera, reconnecting with her beginnings on documentaries, the director embraces the beautiful ambition to reach the intimate heart of the country.
Director of Photography
From Afghanistan, little is known but a few cliches, the word Taliban, and a war that seems to have never ceased since the Soviet era and its new turn taken since 2001. A country devastated in a state of permanent conflict, a population deeply marked: how to do it justice? Equipped with her only camera, reconnecting with her beginnings on documentaries, the director embraces the beautiful ambition to reach the intimate heart of the country.
Director
From Afghanistan, little is known but a few cliches, the word Taliban, and a war that seems to have never ceased since the Soviet era and its new turn taken since 2001. A country devastated in a state of permanent conflict, a population deeply marked: how to do it justice? Equipped with her only camera, reconnecting with her beginnings on documentaries, the director embraces the beautiful ambition to reach the intimate heart of the country.
Screenplay
A politically complacent middle-aged man and a young pro-democracy activist debate about the future of their country while hiding from the police, in this fascinating drama that blends scripted scenes with on-the-ground footage from Iran’s 2009 Green Revolution.
Director
A politically complacent middle-aged man and a young pro-democracy activist debate about the future of their country while hiding from the police, in this fascinating drama that blends scripted scenes with on-the-ground footage from Iran’s 2009 Green Revolution.
Director
"Morteza, in his fifties and just out of jail, is trying to rebuild his life. However, when he is implicated in the drowning death of a child, he is instantly assumed to be guilty. Taher, the police officer assigned to the case, first believes in his guilt, but later becomes obsessed with proving Morteza's innocence. Directed by Sepideh Farsi, and stars Masoud Rayegany and Bijan Emkanian.
Writer
"Morteza, in his fifties and just out of jail, is trying to rebuild his life. However, when he is implicated in the drowning death of a child, he is instantly assumed to be guilty. Taher, the police officer assigned to the case, first believes in his guilt, but later becomes obsessed with proving Morteza's innocence. Directed by Sepideh Farsi, and stars Masoud Rayegany and Bijan Emkanian.
Writer
Documentary secretly filmed in the streets of Teheran.
Director
Documentary secretly filmed in the streets of Teheran.
Director
Sepideh and Darya. Mother and daughter. A successful young filmmaker and a child with clear ideas about how to make a film. Together they make a long journey to meet members of their large family: From Paris to Tehran and further beyond the Afghanistan border. By air, train, car, they never leave the tools of their trade: two video cameras, one of which is so small that it goes by unseen. On the way, they encounter landscapes, villages, voices and faces, too long separated by distance or disparate destinies. Travel time, story time: at night, Sepideh transforms their story into a bedtime lullaby for her daughter. The complex ramifications of a genealogical tree are gathered in a subtle family album.
Maryam
Director
