Writer
Teresa, Rocío and Yolanda, which are the names that Elena Iyanga, Dina Anguesomo and Isabel Kote personify, are three adolescent students with totally different lives, but united by friendship. Teresa, the main character, is a young woman, enthusiast of the street life, fun, discotheques, dating.... Her best friend is Rocío, a well-off who is less interested in studies because she has everything. And finally Yolanda is a young woman from a very humble family whose parents are ill; she takes her studies very seriously in order to get ahead in the future, and she advises her friends to take the right path, although they do not pay attention to her. It deals with a story based on actual events, produced by the National Library of Equatorial Guinea and filmed in the country by various young film makers of different producers and different means.
Director
Teresa, Rocío and Yolanda, which are the names that Elena Iyanga, Dina Anguesomo and Isabel Kote personify, are three adolescent students with totally different lives, but united by friendship. Teresa, the main character, is a young woman, enthusiast of the street life, fun, discotheques, dating.... Her best friend is Rocío, a well-off who is less interested in studies because she has everything. And finally Yolanda is a young woman from a very humble family whose parents are ill; she takes her studies very seriously in order to get ahead in the future, and she advises her friends to take the right path, although they do not pay attention to her. It deals with a story based on actual events, produced by the National Library of Equatorial Guinea and filmed in the country by various young film makers of different producers and different means.
Writer
"Not Naked" explores cultural differences and their power to draw people together. This short celebrates the diversity of the rich global cultural canvas.
Director
"Not Naked" explores cultural differences and their power to draw people together. This short celebrates the diversity of the rich global cultural canvas.
