Kerr Holden

参加作品

Enchantimals: Finding Home
Supervising Film Editor
Door Light
Cinematography
Door Light
Producer
Door Light
Director
Aos Sí
Director
Kinet's Halloween Omnibus feature.
The MovieLand Movie
Editor
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
The MovieLand Movie
Camera Operator
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
The MovieLand Movie
Director
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
From Out
Writer
From Out tells the story of Milo, an alien who has crash landed on earth.The film primarily takes place during an interview between Milo and a government agent assigned to finding out why Milo has come to our planet, as well as uncover the details of a woman gone missing whom Milo was connected with.
From Out
Director
From Out tells the story of Milo, an alien who has crash landed on earth.The film primarily takes place during an interview between Milo and a government agent assigned to finding out why Milo has come to our planet, as well as uncover the details of a woman gone missing whom Milo was connected with.
Hit 2 Pass
Color Timer
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.