Supervising Film Editor
As quatro Enchantimals, amigas da natureza, sempre ao lado de seus pets, chamados por elas carinhosamente de Best, vivem numa terra encantada. Com a chegada da primavera, a época mais mágica do ano, elas encontram uma garota e seu Best perdidos depois de uma tempestade. As quatro garotas farão de tudo para que os novos amigos superem os traumas, enquanto preparam a grande festa da florada.
Cinematography
Producer
Director
Director
Kinet's Halloween Omnibus feature.
Editor
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
Camera Operator
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
Director
I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!
Writer
From Out tells the story of Milo, an alien who has crash landed on earth.The film primarily takes place during an interview between Milo and a government agent assigned to finding out why Milo has come to our planet, as well as uncover the details of a woman gone missing whom Milo was connected with.
Director
From Out tells the story of Milo, an alien who has crash landed on earth.The film primarily takes place during an interview between Milo and a government agent assigned to finding out why Milo has come to our planet, as well as uncover the details of a woman gone missing whom Milo was connected with.
Color Timer
Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin's Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
