Lia Francesca Morandini

Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.

Rome, Paris and Helsinki right after the Madrid bombings. Three stories about people who, for different reasons, are afraid of others – the eponymous "thy neighbor." A humanity full of differences, but at the same time, with very similar feelings. So similar that their stories appear almost parallel and complementary.

In the '70s, young Màrja leads a hippie lifestyle in Finland. During a peace march, she meets Fortunato, a young Sicilian, and falls in love with him. They marry and start a family, happily raising two daughters. However, times become hard and Fortunato suggests they move to his old town, where he can find work easily. Màrja accepts, but she'll have to clash with a close-minded and malicious environment as a foreigner in Southern Italy.

A young policewoman slowly goes insane while tracking down an elusive serial rapist/killer through Italy when she herself becomes a victim of the brutal man's obsession.

For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other English-speaking guests are brash Americans. Then Major Wilshaw arrives. He suggests they meet for cocktails and Miss Bentley stands him up -- not even thinking about it -- as she helps the new nanny of an Italian family settle in. Miss Beaumont, a tall, young American who has dropped out of finishing school in Switzerland, is bored and finds some amusement in flirting with the major, whose libido is awakened for the first time since before the great war. And Miss Bentley now finds more about the major to admire than his ears.

After his father's death, a middle-aged screenwriter struggles with his obsessions and neuroses.

With three of his companions in a fatal gas-station robbery drowned while evading a police roadblock, the surviving young thug has no reason to turn himself in to the police, since they don't know about his existence. At least, that's the way his rescuer Bruno (Bruno Ganz) sees it. Besides, Bruno needs such an overly enterprising fellow to help him pull off a really big heist that he's been planning for a long time. It takes some doing, but the boy and his girlfriend are recruited by the older man, who has been keeping a low profile by working as a gardener.

A sailor who landed on the ground only for a bank deposit found himself involved in a spin of misadventures and vicissitudes. He will have to retrieve his ten thousand dollars (to invest in the opening of a Tahiti bar) before the ship resumes.

A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.

Giulì is a traveling puppeteer who meets Viola, a young ferrywoman who transports passengers on a raft. Giulì's desire is to have a child, so he builds one out of wood. One morning, in place of the puppet , he finds a child of flesh and blood.

Giulì is a traveling puppeteer who meets Viola, a young ferrywoman who transports passengers on a raft. Giulì's desire is to have a child, so he builds one out of wood. One morning, in place of the puppet , he finds a child of flesh and blood.

Giulì is a traveling puppeteer who meets Viola, a young ferrywoman who transports passengers on a raft. Giulì's desire is to have a child, so he builds one out of wood. One morning, in place of the puppet , he finds a child of flesh and blood.

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

Eccentric and full of manias, Michele is a young high school professor who defines himself as “not used to happiness”. He realizes his life is meaningless if he doesn’t have a woman by his side but, after a series of rather disastrous experiences, he feels more alone than ever. Then, out of the blue, a new French teacher called Bianca arrives at school. Amongst uncertainties and contradictions, the two start dating. In the meantime, a series of homicides take place and a police officer begins to suspect that Michele is involved. Bianca will save him providing an alibi at the right moment, but then, everything goes wrong again.

The alienating and repetitive life of a group of heroin junkies in 1980s Rome.

A rich Italian's shocking suicide means different things to his twin brother, mother and pregnant lover.

Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century,plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him...

Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.

The Pope is disturbed by the fact that today's youth are not as spiritually inclined as they should be, and so he decides to set up a Vatican television station and entice them back into the religion of their ancestors. In order to particularly grab the wandering flock, a priest invites the comedians from "The Other Sunday," an actual comedy program on Italian television, to perform on this new channel.

Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and now suffers from mental illness and suicidal thoughts. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. However, Mauro becomes unconsciously jealous of their relationship and tries to get Giovanni arrested.

Luigi, a middle-aged engineer who, getting increasingly worried about the rising crime rate in his surroundings, follows the advice and example of his sleazy drinking cronies to arm himself with the titular weapon; the problem is that he starts carrying – and, occasionally, brandishing – it with him everywhere.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

A young aspiring director steals a silent movie camera to make his movie.