Evfrosinia Kersnovskaya, who challenged the Stalinist repressive machine, not only left us her memories, she created a unique archive of drawings, which can best be defined as a Gulag comic. In addition to horror, there is a lot of sarcastic, funny and, oddly enough, life-affirming in it.
Motygino is the smallest and most inaccessible settlement in Russia, which has a local drama theater. Recently, a young St. Petersburg director arrived there and decided to make him a fashionable place: he invited his friends-actors from the capital and began to develop a new theater. Do you think a warm welcome awaited him?
The protests in Belarus had been going on for the 12th day, but many began to think that they began to slip, and Lukashenko came to his senses and slowly began to regain control. Is it so? Will people get tired? And will they go home, giving Old Man another five years in office?
Two years after the fall of the alien ship, the life of a young woman from Moscow has been changed forever. Her growing powers are now at the focus of both human and celestial investigation: an alien force takes an interest in her, and will stop short of nothing, including an invasion. Can love and compassion save humanity, when faced with a much greater and more demanding test this time?
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
