Tang Cheung

Louis Koo plays an assassin who wants to go straight after getting out of prison, so he turns down a job from his former employer Simon Yam to kill a politician. Yam carries out the hit himself and manages to frame Koo for the crime, who then must run from both the cops and criminals as he tries to clear his name.

A woman loses her fiancee in a car crash, but he returns to her stitched together. Meanwhile, a man dies and is reborn into another's body. He wants to rejoin his family, but things change once he learns the truth about his new life.

Lau Ching Wan was in the force for almost ten years. He was very careless and was termed "Detective Idiot" by his colleagues. One day, he came to the knowledge that his boss, Christine Ng was a lesbian. Nevertheless, they became good friends and treated each other like brothers. Unfortunately, Lau fell in love with Ng's girlfriend.

This film is about the life of socially deprived people who lives in caged housing in Hong Kong. Given the very tough topic of social deprivation, extreme poverty and shockingly appalling living conditions, I expected "Cageman" to be very tough to watch. This turns out not to be the case. Instead, "Cageman" is a warm, positive and loving film about friendship. People in the caged housing live as harmonious as possible, supporting each other by their limited means.

Powerful Four boasts an all-star cast and chronicles the rise of four semi-corrupt Hong Kong police detectives during the late 1960s.

A teacher and his five female students are attacked by a monster with neon-green eyes.The teacher escapes but his students are completely dismembered.He soon discovers the monster is worshipped by a cult whose ambition is to rule the world and tear the clothes off young girls.

Two orphan boys indulge in petty theft after the war. One, Chow, is caught but gets adopted by a policeman. He turns out a solid young citizen. Lee, the boy who escapes, grows up to be a triad. When the two re-meet, Lee is attracted to Chow’s stepsister. Some years later, Chow is now a cop and vows to smash Lee’s gang. After a struggle with his conscience, Lee agrees to help.

Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.

Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.

Cheung Yan-lai is imprisoned as he is framed by his elder brother Yan-tsuen. Yan-lai escapes and takes revenge with a quasi-scientific sorcerer, who uses orangutan blood to turn the Yellow Hair Monster into an unparalleled weapon when it drinks human blood. Yan-lai, the Yellow Hair Monster, and the sorcerer, go to confront Yan-tsuen after knowing he will donate a gold Buddha for fund-raising. They are caught in a warehouse. A female ghost kills Yan-tsuen. Heroine Wong Ngang and the Director rush there. They fought with the sorcerer, who dissolves a corpse using a poisonous solvent. It also kills the Monster. Yan-lai gets an electric shock and the sorcerer is scared to death by a vampire. Mother Lo, Yan-tsuen's maid, disguised as the ghost and the vampire. The gold Buddha belonged to her father, who was killed by Yan-tsuen. Yan-tsuen raped her. She sought revenge, takes back the Buddha, and killed Yan-tsuen's wife. Wong Ngang gets the Buddha. She, Wu Ah, and Heung Ngan are satisfied.

A ghost tale very strongly inspired by Hitchcock's Vertigo.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

A delicious comedy from Union Film, Money, traces the journey of a bag of cash from a bank robbery. The humour switches between the witty and the absurd, offering a biting examination of human nature when men and women are confronted with the chance of unearned wealth.

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.

Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.

Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce. After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.