Alexandra Ladikou

An ailing Greek man attempts to take a young, illegal Albanian immigrant home.

A police comedy/fantasy adventure with witches, ghosts, beautiful fairies and a cop who tries to solve a mysterious murder.

A mysterious woman arrives on the Greek island Patmos.

An affair–parenthesis in the dull life of two people (Angelos Antonopoulos and Alexandra Ladikou), who meet by chance on a railway trip and spend a few hours together while the train is stuck in a station. Based on the same Noël Coward play that David Lean used for Brief Encounter.

One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).

A ruthless young man puts on eye the estate of a girl and after he is presented as in love with her, he is trying to convince her to give him all the money she has

The inextricably intertwined stories of five sex workers who live in a brothel at Pireas harbor.