Luigi Serventi
出生 : 1885-07-30, Rome, Italy
死亡 : 1976-08-18
Arthur Franchini
Two of Germany's best and busiest directors collaborated on Berge in Flammen (Mountain in Flames). The storyline should be of interest to pro-ecologists, inasmuch as the directors take to task the warmongers of the world for despoiling the natural beauties of the European mountain ranges with their shell-fire. The final outrage occurs during a battle between the Austrians and the Italians in the Dolomites, culminating with the destruction of an entire mountain (hence the film's title). The harrowing images on screen were complemented perfectly by the musical score of Giuseppe Beece. Also known as The Doomed Batallion, Berge in Flammen was filmed in three different languages -- German, English, French -- for a total cost of $150,000.
Jean
Andrea, a beautiful daughter of a railway gateman, is seduced by a rich passenger, who missed his train. Left pregnant, Andrea marries another man and moves to Prague, only to encounter her former lover and recover her former lust.
The child of a woman who killed her husband is raised as the daughter of a count without any knowledge of her true origins.
Adolfo
Abgeordneter Plantin
Don Germo/Geronimo Cortez
Müller, l'avventurieno
Strasser
Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.
Adaptation of the Ermanno Geymonat play.
Bulglar-Gentleman Roger Lynne
Paolo
The story of the film «La storia di una donna», in which Pina Menichelli played the main role, is typical for «divas-films» – it’s about beauty and weakness of a woman, insidiousness and cowardice of men, inevitable destiny and mad passion…
Duca di Bligny
Filippo Derblay, a young man of humble birth, became, thanks to his job, the owner of the ironworks. He is secretly in love with Clara, the daughter of the Marquis of Beaulieu, who lost all his fortune. Clara is engaged to the Duke of Bligny, a vain cousin of her. After learning of Clara’s financial disgrace, the Duke prefers to engage to Atenaide Moulinet, a social climber and daughter of the industrialist Moulinet, the “King of Cacao”. To get revenge, Clara agrees to marry Filippo Derblay, despite she considers him an upstart and she despises him. But Filippo, who loves her deeply, can’t tolerate to be humiliated, will prove how much her prejudice was wrong and, at the end, he will win her love. Among the most captivating aspects of the film, the intense performance of the great diva Pina Menichelli and the high level of the photography, that captures spaces from life as the remarkable images of the factory and the workers at the machinery.
Le mogli e le arance is characterized by a wonderful sereneness. It is the kind of quietude which many of us connect immediately with the south. Everything seems to be in its perfect place, and time is just passing. In the setting of a sanatorium a nobleman is practicing idleness and slow-motion mind games. Does it sound boring? Yes, it does. But it is not, the uneventfulness is definitively enthralling. The film director tries to narrate time, time itself, as such, for its own sake: a rare experiment.
Director
Le mogli e le arance is characterized by a wonderful sereneness. It is the kind of quietude which many of us connect immediately with the south. Everything seems to be in its perfect place, and time is just passing. In the setting of a sanatorium a nobleman is practicing idleness and slow-motion mind games. Does it sound boring? Yes, it does. But it is not, the uneventfulness is definitively enthralling. The film director tries to narrate time, time itself, as such, for its own sake: a rare experiment.