Jeong Yong-jin

Seolhee and Hwajeong make an impromptu trip to the East Sea while waiting to hear the results of their recent job interviews. The purpose of the trip is to make a wish while watching the sunrise, but nothing happens as they hope. The two argue during the trip and have an accidental meeting while going their separate ways.

Someone brutally murders Young-hoon’s wife. A hair sample was found on his wife’s body and the detectives use it to trace it back to his friend Joon-sung and locks him up. Seemingly becoming a murder’s wife overnight, Da-yeon asks Young-hoon to testify on his behalf but when he doesn’t show up for the trial, she goes to visit him at his house.

The film follows the 5 athletes who competed in Pyeongchang Winter Olympics. A female ice hockey player who was adopted to the United States, a skeleton player from Ghana, an Afghanistan skier, a British snowboarder and a ski jumper who overcame a knee injury. They all step into the world of sports by going beyond their personal and human limitations. The film emphasizes their steps and trails through the images of their continuous walks. At the same time the walks are connected to the division of the hosting country, Korea. Pyeongchang Winter Olympic Games has overcome the conflict that could have led to another war, leading to participation of both South and North Koreas. Beyond the convention of celebrating only the winners, the film put significance in the whole path by looking at their stories behind the participation. Just like the title, the film depicts us beyond the border.

A summer on an island of leisure in the Paris region. Land of Adventures, dredge and transgression for some, place of refuge and escape for the other. Its pay range to its hidden nooks, the exploration of a Kingdom of childhood, in resonance with the bustle of the world.

Public Broadcasting has changed over the last ten years and now it is on the wrong track.

医師のスンフンは妻と離婚し、京畿道の新都市に移り住んだ。この町では、15年もの長きにわたり未解決の連続殺人事件が起きていたが、新たに氷が解け出した漢江から首と手足が切断された女性の死体が浮かび上がる事件が発生する。そんな折、認知症患者でスンフンが住むマンションの1階にある精肉食堂の老人チョンが病院にやって来る。診療中にチョンがつぶやいた「体は橋から捨てれば見つからない。頭はまだ冷蔵庫の中」の言葉に、食堂の一家が連続殺人に関係しているとの疑いを持ったスンフンは、店の冷蔵庫に死体の頭部が隠されているのではと想像をめぐらせるが……。

No pain, no gain. This is the motto of the Yoo family: the father is a successful doctor, the mother supervises their daughter's scholastic performance from the vantage point of their beautiful home. Then cracks appear in the facade which soon deepen and spread. In particular, the father seems to be losing control - he is suddenly faced with a sexual harassment lawsuit and an absurd running battle with a taxi driver.

Chun-Soo arrives in Suwon one day earlier than scheduled. He has a special lecture to give the next day. Chun-Soo decides to visit a palace and meets Hee-Jung there. Hee-Jung is a painter and she lets Chun-Soo see her workroom with her paintings. In the evening, they go out eat and drink together. There, Chun-Soo reveals something unexpected to Hee-Jung.

Gaby mustn’t be left alone at night. Yet that’s exactly what her boyfriend Vincent does, to test her love for him. She struggles against her natural instincts and quickly exhausts the patience of the local guys. But Gaby decides to turn to castle warden Nicolas, an expert in loneliness, for help.

One winter day, nobody comes to see a play. One of the drama’s actresses becomes angry and leaves the theater. She goes to a park, drinks and meets people.

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

As an aspiring screenwriter, Jin-young keeps getting rejected by the film production company because she continues to insist on her screenplay about zombies. More interesting, she is a 30-year-old virgin even with no experience of a first kiss. What a dreadful life she has! At the production company, Jin-young meets Director Hwang, a senior alumnus who she really hated. He finds her script interesting and decides to make it into a film. From then on, real filmmaking and love come to Jin-young!

A young woman returning to her old school to visit her professor also runs into her old boyfriend and her senior, each of whom has a past with her.

Haewon, a film student and aspiring actress, feels abandoned. Her mother is about to emigrate to Canada and Haewon has decided to end her affair with one of her professors, a much older married man.

In a triptych of overlapping stories, three different French women – a filmmaker, an adulterer and a divorcee visit a small Korean resort town and encounter a flirtatious director, a lovestruck lifeguard and far too much soju.

Over a slice of chocolate cake, a mother and daughter tensely discuss the good-for-nothing relative whose money troubles have brought them to the seaside town of Mohang. For now they have nothing to do but wait, so the younger woman, Mihye, composes a list of goals for her involuntary vacation — a list which she seems to fulfill almost accidentally, as she and her mother wander, eat, drink, and meet with fate, here in the form of a clumsily flirtatious film director.

A film director who no longer makes films, Seongjun arrives in Seoul to meet a close friend. When the friend doesn’t show up, Seongjun wanders the city aimlessly for three days, grabbing drinks and meeting women, with each day playing out like a version of the last.

Over drinks, two friends agree to swap fond memories of their recent trips to the same seaside town. As the stories unfold in flashback, it becomes evident their accounts take place at the same time and with the same people.

An ordinary housewife, Yeong-hye, who has nightmares every night, finally becomes a vegetarian, throwing away all the meats in her refrigerator. Her husband Kil-soo starts to complain about her actions. Her family also worries about her health. During a family lunch, Yeong-hye tries to kill herself due to her father's abrupt violence. Observing all the happenings, Yeong-hye's brother-in-law, Min-ho, a videoartist, hears from his wife that Yeong-hye has a Mongolian spot on her hips. Min-ho gets inspiration from this and starts to sketch.

Delightfully comic exploration of the emotional and social geography of an art-house film director.

Kim Seong-nam travels to Paris to escape an arrest, leaving his wife behind in Korea. After he arrives, he meets an ex-girlfriend and is introduced to a small community of Korean artists.

A mild-mannered stamp maker searches for the man who slept with his wife. Disguised as a customer, he approaches the man.

Stymied by writer's block while crafting his latest script, director Kim Jung-rae persuades his friend Won Chang-wook to drive him to a beach resort where he promptly becomes involved with Chang-wook's girlfriend. Abandoning her and taking up with another woman, Jung-rae winds up creating enough drama to inspire his writing.

In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema.

As the first snow falls in Seoul, two old friends reunite; one is a successful college professor, and the other, a struggling filmmaker recently returned from the United States. After their reminiscences, they finally decide to go in search of the young woman each had romanced years earlier.