Giovanna Cau

Easygoing Gianni looks forward to retirement - until he is informed that a change in the law obliges him to work three more years. Faced with the outrageous possibility of having to do a full day's work, he sets about finding a way to achieve a quiet life

A brief tribute to the grat director, spanning through some insights about his character, his works, his life, through the words of critics, relatives, colleagues, with a collage technique of interviews, archive footage, and brief excerpts and pictures from some of his works.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...

Coming back from work by night, shy watchmaker Tommaso runs over a girl with his car, luckily without serious consequences. Next day he finds her waiting for him at his door. She asks him for help, as she can't remember anything prior to the incident.