Returning from France after the war, John Tabor informs Palma May of her brother's death and offers the penniless girl his help, but she refuses it, preferring to work as a cabaret dancer. Later, John and Palma meet again, marry, and go west to manage a lumber camp, as instructed by John's wealthy father, Jarvis Tabor. Displeased by John's choice of wife, the elder Tabor tests the couple with difficult living conditions, which eventually discourage Palma, and she accepts the party invitation of Keith Merwyn, manager of the cabaret where she starred. Meanwhile, Merwyn effects a disturbance among the lumbermen, endangering John.
The story of a young society woman, who, aspiring for a musical comedy career against her husband's wishes, places her twin sister in her home to enact her part as a wife, while she played her role behind the footlights.
A young woman discovers a seed that can make women act like men and men act like women. She decides to take one, then slips one to her maid and another to her fiancé. The fun begins.
This LOST film was Clara Kimball Young's first feature, and her last film for Vitagraph, where she had made all of her short films. It was a sensational success and launched her as the most popular star that year. Its Russian setting was drawn upon by Young for many more of her features. Two short clips of the film exists in Warner Brother's 1931 Vitaphone short "The Movie Album," and have been mounted on Internet Archive and Google Video. One scene shows the meeting of Helene's terrorist cell with an extra alleged to be Leon Trostky. The other clip appears to be when she and Lennox are visiting the Weletsky's. (cont. http://web.stanford.edu/~gdegroat/CKY/reviews/mow.htm)
