Tommy Turner
略歴
Tommy Turner is considered a key figure of the Downtown No Wave and Cinema of Transgression movements. While working days as a genetic research scientist and nights as a bartender at the Peppermint Lounge, the New York native rose to prominence through his zine Redrum and collaborations with Richard Kern and David Wojnarowicz.
Himself
The story of Ricky Kasso, an American teenager who murdered his friend, Gary Lauwers, in an alleged "Satanic sacrifice" during the summer of 1984.
Himself
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.
A stark adaptation of Flannery O’Connor’s short story A Good Man Is Hard To Find.
Sadomasochistic images of self-mutilation.
Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.
Annoying Man
A woman takes each of her boyfriends - one poor and one rich- for a drive in her new car. Each argues with her and insists on taking the wheel. She beats one of them up, before crashing into a group of youths and, finally, a wall.
Peddler
About a deformed guy and his girlfriend.
Producer
Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.
Writer
Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.
Director
A no-holds-barred portrait of addiction, RAT TRAP is an unflinching portrayal of a junkie injecting heroin cut with footage of (already expired) rodents being tortured and maimed, all underscored by a fiery guitar rock solo, painting a grim picture of numbing daily grind, dependency, and domestic urban squalor.
Peddler (segment "I Hate You Now")
A series of short films by Richard Kern: Stray Dogs, Woman At The Wheel, Thrust In Me, & I Hate You Now.
Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.
Director
Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.
In the unsettling, absurdist SIMONLAND, a grotesque, televangelist-style demagogue leads his studio audience and isolated viewers through a psychotic game of Simon Says with twisted results.
Director
In the unsettling, absurdist SIMONLAND, a grotesque, televangelist-style demagogue leads his studio audience and isolated viewers through a psychotic game of Simon Says with twisted results.
