Jacques Renard

At a turning point in his life, Thomas Lebey, a famous writer, decides to return to the location of his first love. That was in 1960 in a small coastal resort town in the south of England. Sheila was 17 and he was not yet 20.

At a turning point in his life, Thomas Lebey, a famous writer, decides to return to the location of his first love. That was in 1960 in a small coastal resort town in the south of England. Sheila was 17 and he was not yet 20.

Two elderly ladies, Marie and Aminthe, both single and without children, live together in the house of their grandfather. Aminthe lives in the memory of Fabien, her husband to-be, who died in Indo-China more than fifty years ago. Marie, the elder one, likes to remind the happy time of their childhood - before they lost their parents prematurely. As kids, each have their own character flaws but seem to have a pure and simple childhood. Now, they live their pensions - small -, vegetables of the kitchen garden that Marie sells at the market and of the piano courses which Aminthe gives... Not enough to maintain their old residence, badly heated and of which the roof is to be remade... But when Aminthe affirms that it is necessary to sell and buy an apartment, Marie refuses categorically. Soon we learn what secrets these girls have kept all their lives.

Two elderly ladies, Marie and Aminthe, both single and without children, live together in the house of their grandfather. Aminthe lives in the memory of Fabien, her husband to-be, who died in Indo-China more than fifty years ago. Marie, the elder one, likes to remind the happy time of their childhood - before they lost their parents prematurely. As kids, each have their own character flaws but seem to have a pure and simple childhood. Now, they live their pensions - small -, vegetables of the kitchen garden that Marie sells at the market and of the piano courses which Aminthe gives... Not enough to maintain their old residence, badly heated and of which the roof is to be remade... But when Aminthe affirms that it is necessary to sell and buy an apartment, Marie refuses categorically. Soon we learn what secrets these girls have kept all their lives.

After the departure of their husbands for the 1914 war, two women have to run an oil mill.

A story of a big family living in French countryside between First and second world wars.

A story of a big family living in French countryside between First and second world wars.

This certificate was formerly obtained by pupils at the end of primary school. The teacher of a small village has a dream: he wants his son to get his certificate and to be the best in the district ("Canton"). His younger son is less gifted: he is ashamed of him and treats him like a dunce. His obsession is so strong his marriage (his wife is a schoolteacher too) is soon on the rocks.

Scott Ross in an exclusive master class, recorded in Rome, a few times before his death in 1989.

A little town in the north of France, 1941. Blanche has three children. She worries about her husband Victor, who often goes out at night. Actually, Victor belongs to the Resistance. Soon, Blanche will be a resistant too. In the network, there is also Germinal, the hairdresser. His daughter Marie knows everything and asks to be part of it... Chronicle of the occupation and of the resistance through the eyes of the women.

A little town in the north of France, 1941. Blanche has three children. She worries about her husband Victor, who often goes out at night. Actually, Victor belongs to the Resistance. Soon, Blanche will be a resistant too. In the network, there is also Germinal, the hairdresser. His daughter Marie knows everything and asks to be part of it... Chronicle of the occupation and of the resistance through the eyes of the women.

This documentary, directed by Jacques Renard in 1981, retraces seventy years of life in the mines through the testimonies of miners from the Nord-Pas-de-Calais coalfield. Confronted with numerous archival documents, the protagonists tell their stories and reflect on their past and present history. These four episodes (The Mine, The Memory, The Heart and The Body) shed light on the beginnings of coalmining, its working conditions, social and political struggles, the different technical evolutions of the miners’ work and the decline of the sector. Mémoires de la mine is unique in the history of French television documentaries because of its scope: never before have such life and career stories been recorded. Mémoires de la mine won the Prix de la critique and the Prix de la Société des Gens de Lettres.

A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version. Then, the actual person who this happened to relates the same story; this time, however, it is an unscripted documentary, in which the same things occur as in the scripted one.

In this poetic slice-of-life film that reveals the problems and needs of a group of lowlife characters, unwed mother Vivaine (Dominique Labourier) falls in love with working-class youth Francois (Patrick Chesnais) who has a shady past. Albert (Philippe Noiret), a no-good insurance con-artist, poses for many years as Francois' friend, but tragedy ensues when Albert comes between the lovers, and Francois and Albert resort to physical violence to settle their differences.

In this poetic slice-of-life film that reveals the problems and needs of a group of lowlife characters, unwed mother Vivaine (Dominique Labourier) falls in love with working-class youth Francois (Patrick Chesnais) who has a shady past. Albert (Philippe Noiret), a no-good insurance con-artist, poses for many years as Francois' friend, but tragedy ensues when Albert comes between the lovers, and Francois and Albert resort to physical violence to settle their differences.

In this poetic slice-of-life film that reveals the problems and needs of a group of lowlife characters, unwed mother Vivaine (Dominique Labourier) falls in love with working-class youth Francois (Patrick Chesnais) who has a shady past. Albert (Philippe Noiret), a no-good insurance con-artist, poses for many years as Francois' friend, but tragedy ensues when Albert comes between the lovers, and Francois and Albert resort to physical violence to settle their differences.

This documentary chronicles an Yves Montand concert for Chilean refugees in France.

A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.

Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.

Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.

画家の卵であるジャックはある夜、セーヌに身投げしようとする少女マルトを助ける。彼女には一年前アメリカ留学に発った恋人がおり、二人が再会を約束したのがその晩だったのだ。青年は苦悶に沈む彼女を美しいと思った。そして、激しい愛の衝動につき動かされながら、努めて平静を装い、彼女の心が恋人から離れるのを望み、そこに罪悪感を覚える。'５７年版と同じく、有名なドストエフスキーの悲恋小説を現代を舞台に翻案した、ブレッソンの覚醒した世界観を窺わす痛烈な作品だ。ヴィスコンティのロマンチズムはここになく、青年の盲愛が、彼の習性である思いのたけをミニ・テレコに吹き込むという形で、露骨に顕わになる様が見ていく苦しいほどだ。 ＜allcinema＞

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

The Happines Boys Billy Jones and Earnie Hare are invited to a party, but separate themselves from the rest of the guests, so they can not be urged to perform. However, they are watching the other guests from radio doing their stuff: song team Reece & Dunn, as well as the Funnyboners are singing, Smith Ballew and Frances Langford are exchanging love songs, Arthur Tracy tries his luck with a girl, just to find out that she prefers Bing Crosby and 4 orchestra leaders are trying to find out, who the best conductor is, by conducting a piece of recorded music....