Matěj Chlupáček

Matěj Chlupáček

出生 : 1994-05-15,

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Matěj Chlupáček

参加作品

The Noonday Witch
Producer
A story of Eliska and her daughter, starting a new life in a remote house with the 'father away on business', as the mother claims. After the lie is disclosed, their relationship begins to wither. At that time, the mythical Noonday Witch begins to materialize. She is coming closer and closer and the question is poised: is the danger real or is it all in the mother's crumbling head?
Hany
Producer
The story of this film that is made in one continuous shot takes place during a single evening in and around literary bar in the middle of a big city.
Hany
Idea
The story of this film that is made in one continuous shot takes place during a single evening in and around literary bar in the middle of a big city.
Touchless
Director
Jolana (18) is an object of her step-father's desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?
We Have Never Been Modern
Executive Producer
Sympathetically modern for its time - it was 1937 - is the approach of a young factory director in the middle of a growing Bata-style town in the picturesque foothills of the majestic Tatra Mountains. But make no mistake, the protagonist is his wife Helena (Eliška Křenková). However, the determined gaze of the aspiring doctor, who is about to give birth soon, into her dream family future is suddenly overshadowed by the discovery of a dead body of a newborn baby in the courtyard of the pulsating factory. Helen's innate empathy, amplified by another condition, is not satisfied with a conspicuously quick solution to the mystery. A gripping detective drama with a progressive and deeply human take on a controversial subject not only just before the unsuspected war but decades later.
We Have Never Been Modern
Director
Sympathetically modern for its time - it was 1937 - is the approach of a young factory director in the middle of a growing Bata-style town in the picturesque foothills of the majestic Tatra Mountains. But make no mistake, the protagonist is his wife Helena (Eliška Křenková). However, the determined gaze of the aspiring doctor, who is about to give birth soon, into her dream family future is suddenly overshadowed by the discovery of a dead body of a newborn baby in the courtyard of the pulsating factory. Helen's innate empathy, amplified by another condition, is not satisfied with a conspicuously quick solution to the mystery. A gripping detective drama with a progressive and deeply human take on a controversial subject not only just before the unsuspected war but decades later.