Mária Keresztessy

参加作品

Ants' Nest
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
New Gilgames
The story recalling the spirit of Gilgamesh, the Sumerian king quarrelling with his approaching death, takes place in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to fight death.
Don't Keep Off the Grass
Mrs. Kárász
Daddy Kárász, the stakhanovist worker, complains in a television interview about the fact that his family, consisting of many members, cannot get a home on their own. Kéri, the chairman of the local authority, promises to help him on the condition that if he does not, they may move in to his villa at elegant Pasarét. Nothing happens, therefore the Kárász family takes Kéri by his word. From this time on, tumultuous scenes and frequent quarrels take place in the villa between the two families.
Crime at Dawn
Aunt Eszti
Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.
Fatia Negra
The old, sickly Demeter Lapussa is a tyrant in the family. He forces his granddaughter, the beautiful Henriette, to marry baron Hátszegi, although the girl loves the penniless Vámhidy Szilárd. The two lovers attempt to commit suicide, then are torn away from each other.
Sleepless Years
The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.
At Midnight
On New Year's Eve in 1956 the artist couple, the actor János and the dancer Viki are hastily packing. While they are waiting for the car, which is to take them across the border, their entire life is replayed in front of their eyes.
The bridge of life
Springtime in Budapest
(uncredited)
At Christmas Eve in 1944 the runaway Pintér and Gozsó get through the Soviet blockade around Budapest. Pintér intends to hide in a flat abandoned by his own relatives, but he finds his relatives called the Turnovszkys, who are hiding the Jewish Jutka as well. Love unfolds between Zoltán and Jutka.
Silent Bells
The bells of the Calvinist church in Garabó have been silent for years, and people prefer to go the Rumanian church. Returning from his studies in Utrecht, Simándy Pál - at his own request - gets a job here, in the alpine village. The young Hungarian minister meets Florica, the educated daughter of Todorescu, the Rumanian pope, whom he knew before. She falls in love with him.
There is No Accident
Alajos, a pharmacist, has just married Klári, a poor tutoresse. Klári finds a diamond ring among the wedding presents, complete with farewell letter to thank her for all those happy hours of love. The husband, a man who has already planned every little thing ten years in advance, is in no mood to accept the idea of a coincidence.
Landslide
Houses, now abandoned and empty, are being boarded up in Besence of the Ormányság. "Only-childism" is in fashion, due to the law that provides for the way in which landed properties are inherited. The birth of children that are "not desirable" is being prevented through illegal medical intervention, which is often responsible for the death of pregnant women. The happiness of János and Julis are also the victims of this attitude: their parents would not hear of another child.