Bruno Muel

参加作品

De jour comme de nuit
Producer
A documentary about the Baumettes prison, in Marseille, France.
Le Dos au mur
Camera Operator
Quand les femmes ont pris la colère
Director of Photography
The action takes place in a metallurgical factory which was part of the Pechiney-Ugine-Külhman trust in Couëron, Loire-Atlantique, in 1975. To show their solidarity with their husbands on strike, workers' wives invaded the director's office and obtained in two hours what was refused to them for months. But the management complained and sued. Twelve wives were charged with forcible confinement. The mobilization then widened. The women called on the Bretagne Cinema Production Unit (UPCB) to make a film about their struggle. Narrating the courageous action of solidarity of women with the strikers of the factory and the emergence of a collective awareness, both feminist and working-class, the film is also an echo chamber sensitive to the aspirations of the twelve women who were charged.
Guerre du peuple en Angola
Director
Guerre du peuple en Angola focuses on the situation in Angola in June 1975, when the declaration of independence sparks the start of a civil war. The filmmakers, who went there to train young Angolan filmmakers, bring back this film, unequivocally presenting the war as the struggle of the people and their movement against imperialism and its allies. In the north, in the forests, villagers have joined the armed resistance and support the MPLA.
With the Blood of Others
Director
A famous documentary about the Peugeot factory in Sochaux in the 1970s. In this region, everything is owned by Peugeot: homes, stores, schools and leisure - there is no escaping it. The production line dictates the rhythm of everyday life: a horrible machine, draining workers' energy and hope.
Septembre Chilien
Director
Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.
Week-end à Sochaux
Director
Directed by Bruno Muel and Medevkine Group of Sochaux
Techniquement Si Simple
Cinematography
The Panafrican Festival in Algiers
Cinematography
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
Sangha
Director
Documentary about diamond mining in the Central African Republic
La Colombie
Director
Document filmed in 1965 by two journalists in the self-defense zone of Rio Chiquito just before and during the attack of a FARC guerrilla group by the Government army.
Algeria, Year Zero
Director of Photography
Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."