Eduardo Ades

参加作品

Mata
Executive Producer
Faced with the advancement of eucalyptus plantations, a farmer and an indigenous community stand as resistance and reveal the impact of monoculture on the environment, in contrast to traditional ways of life. The enemy can also be green.
Mata
Producer
Faced with the advancement of eucalyptus plantations, a farmer and an indigenous community stand as resistance and reveal the impact of monoculture on the environment, in contrast to traditional ways of life. The enemy can also be green.
Torquato Neto - Every Hour of the End
Writer
The story of Brazilian poet Torquato Neto, who lived passionately through fracturous times and worked in several fields, including music, journalism, and cinema. He was an active participant in the revolution of Tropicália and marginal art, which changed the course of Brazilian culture in the 1960s and 1970s, until he committed suicide on his 28th birthday.
Torquato Neto - Every Hour of the End
Director
The story of Brazilian poet Torquato Neto, who lived passionately through fracturous times and worked in several fields, including music, journalism, and cinema. He was an active participant in the revolution of Tropicália and marginal art, which changed the course of Brazilian culture in the 1960s and 1970s, until he committed suicide on his 28th birthday.
Crônica da Demolição
Producer
At the heart of Rio de Janeiro's downtown, an empty square with a dry fountain and an underground parking. There was located the Monroe Palace, that once housed the Senate, and was mysteriously demolished forty years ago. A history of sabers and lions, military and architects, past and future.
Crônica da Demolição
Editor
At the heart of Rio de Janeiro's downtown, an empty square with a dry fountain and an underground parking. There was located the Monroe Palace, that once housed the Senate, and was mysteriously demolished forty years ago. A history of sabers and lions, military and architects, past and future.
Crônica da Demolição
Writer
At the heart of Rio de Janeiro's downtown, an empty square with a dry fountain and an underground parking. There was located the Monroe Palace, that once housed the Senate, and was mysteriously demolished forty years ago. A history of sabers and lions, military and architects, past and future.
Crônica da Demolição
Director
At the heart of Rio de Janeiro's downtown, an empty square with a dry fountain and an underground parking. There was located the Monroe Palace, that once housed the Senate, and was mysteriously demolished forty years ago. A history of sabers and lions, military and architects, past and future.
Yorimatã
Producer
The lives of Luhli and Lucina, two especially important artists in the alternative cultural scene during the 1970s. In a time when transgression, love and peace guided behavior, we discover the love of two women for art, their spiritual universe, their lives in community and their three-way relationship with photographer Luiz Fernando Borges da Fonseca.
The Good Behavior
Vacation time, summer camp, a place where cellphones are kept safe and the kids have to do outdoor activities. For the first time, Laura tries to adapt to the group.
A Dama do Estácio
Writer
Zulmira is an old mistress who lives in the neighborhood of Estacio, in Rio de Janeiro. One day she wakes up obsessed with the idea of dying. All she needs is a good coffin. A tribute to Leon Hirszman's "The Deceased", the first film starred by Fernanda Montenegro.
A Dama do Estácio
Director
Zulmira is an old mistress who lives in the neighborhood of Estacio, in Rio de Janeiro. One day she wakes up obsessed with the idea of dying. All she needs is a good coffin. A tribute to Leon Hirszman's "The Deceased", the first film starred by Fernanda Montenegro.
Depois das Nove
Production Director
Rafael lives with his grandmother in Copacabana. After some incidents he sees the world from a new perspective.