Bruno Polidoro

At the beginning of the 20th century, a German household attempts to stay isolated from their new surroundings, in the south of Brazil. Their fear, however, sets the way for conflict.

In one night, Lucas, Luiza and Bia remember the pains and delights of being who they are.

Five adolescents in a conservative community experience strange transformations in their bodies. Faced with rejection in the town and the fear of adult life, thye must decide if they accept their dragon aspect or conform to the tedium and local conventions. The Dragons is an immersion in the fantastic universe do writer Murilo Rubião.

Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.

Giovana and Yago are strangers who share a spark after meeting at a party. When a deadly cloud mysteriously takes over their city, they are forced to seek shelter with only each other for company. As months pass and the planet settles into an extended quarantine, their world shrinks, and they are forced to come to terms with an accelerated timeline for their relationship. With all their other interactions governed by screens, and with the strain of isolation setting in, Giovana and Yago struggle to reinvent themselves and reconcile the differences that threaten to tear them apart.

A baby is born, but does not cry. A body screams and is not heard. Paints that run in a promised future do not reach a person with a disability. Victor makes himself the canvas in a universe of absent painters.

A portrait of five people who were important to the filmmaker when he was a child. Apart from a few childhood photos, he himself remains out of the picture. He visits a teacher who used to take care of him, and a gay childhood friend. Their combined stories—about exclusion and terror, but also love—paint a portrait of a small, somewhat oppressive community and a boy who lost his sense of security within it, despite the help he was offered. In his wistful look at the past, Barreto transcends his personal experiences; anyone can identify with his bittersweet journey.

Brazil, 1961. In the underground of the Piratini Palace, the governor of Rio Grande do Sul, Leonel Brizola, awaits a bombing by the Brazilian armed forces. The country is on the verge of a civil war, following the resignation of president Jânio Quadros and the movement to keep vice-president João Goulart from taking office. Using the radio transmitter from his improvised bunker, Brizola sets up the Legality movement, to ensure Goulart's right to the presidential chair. Caught in the crossfire, two brothers who are in love with the same woman unite to fight alongside Brizola.

A family boat stalls during a rafting trip. Pietra, the youngest daughter, is forced to lose some of her naivety.

The film tells the story of a man who was born in 1959 and died in 2070, told by people who knew him and somehow contributed to his trajectory.

A 15 year-old boy and his friends want to lose their virginity.

Adri is a young woman newly formed arts in college who divides her time between the single friend, employment and therapy. One day she meets Mona, a well-connected architect and money. On the stairs of a building in Porto Alegre, a passion born of two very different people.

Bom Fim, in Porto Alegre, was a stronghold of the youth movement that took place between the 1970s and 1980s. The trajectory of the place is revisited through interviews with musicians and artists who lived those golden years.

Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.

Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.

With a suitcase in hand, a son arrives to visit his elderly mother.

Santiago, Amsterdam, Berlin, Cologne, Paris, London, Porto Alegre, Sao Paulo. The cities that witnessed the brief life of the poet, playwright and writer Caio Fernando Abreu (1948-1996) are now revisited and covered with fragments of his works and memories of his friends, such as Maria Adelaide Amaral, Grace Gianoukas and Adriana Calcanhoto.

Santiago, Amsterdam, Berlin, Cologne, Paris, London, Porto Alegre, Sao Paulo. The cities that witnessed the brief life of the poet, playwright and writer Caio Fernando Abreu (1948-1996) are now revisited and covered with fragments of his works and memories of his friends, such as Maria Adelaide Amaral, Grace Gianoukas and Adriana Calcanhoto.

Santiago, Amsterdam, Berlin, Cologne, Paris, London, Porto Alegre, Sao Paulo. The cities that witnessed the brief life of the poet, playwright and writer Caio Fernando Abreu (1948-1996) are now revisited and covered with fragments of his works and memories of his friends, such as Maria Adelaide Amaral, Grace Gianoukas and Adriana Calcanhoto.

In 2022, P3RFEIT0 was sent to planet Earth on an interstellar mission to understand why some people are trying to escape from the planet. Upon arriving in Brazil, he understands the reasons.