Gustavo Rosa de Moura
出生 : 1975-01-01, São Paulo
Executive Producer
A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.
Producer
Between the scars of the past and the uncertainties of the future, Jardim Panorama resists. A little over ten years ago, the favela was ripped in half by a monster. Today, the monster sleeps. Until when? A film about the dreams, memories and daily life of those who live in a community surrounded by the walls of an upscale neighborhood in São Paulo.
Producer
20 years ago, Bia fell into a coma when her daughter was born, but that hasn't stopped her from being part of the family's daily life for all that time, even if she's unconscious. One day, extraordinarily, Bia wakes up and causes a radical change in the lives of everyone around her. While she needs to relearn how to talk, walk and relate, her adult daughter, her ex-husband and his current wife will have to readjust to a new family configuration, much more complex and full of challenges.
Writer
20 years ago, Bia fell into a coma when her daughter was born, but that hasn't stopped her from being part of the family's daily life for all that time, even if she's unconscious. One day, extraordinarily, Bia wakes up and causes a radical change in the lives of everyone around her. While she needs to relearn how to talk, walk and relate, her adult daughter, her ex-husband and his current wife will have to readjust to a new family configuration, much more complex and full of challenges.
Director
20 years ago, Bia fell into a coma when her daughter was born, but that hasn't stopped her from being part of the family's daily life for all that time, even if she's unconscious. One day, extraordinarily, Bia wakes up and causes a radical change in the lives of everyone around her. While she needs to relearn how to talk, walk and relate, her adult daughter, her ex-husband and his current wife will have to readjust to a new family configuration, much more complex and full of challenges.
Production Executive
Writer
2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
Camera Operator
2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
Producer
2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
Director
2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
Art Direction
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
Producer
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
Writer
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
Director
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
Director
A film crew travels to inner Brazil in search of the best “piadeiro” —amateur comedian— of the region. We meet these characters on the streets, squares and inside bars, while they are displaying their sense of humor. Beyond being interesting characters, they have the knack of making people laugh. In this film, they each have their 15 minutes of fame —or maybe more.
Producer
The city and its parking lots.
Writer
Director
Director
Carlos Drummond de Andrade's poetry is read by exponents of Brazilian culture, such as Chico Buarque, Caetano Veloso, Adriana Calcanhoto, Fernanda Torres, Marilia Pera, Antonio Cicero and others.
Director
Director