Writer
A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.
Director
A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.
Editor
A portrait of the past and present of the city of Dunfermline, Scotland's ancient capital.
Director
Four women speak movingly to the camera on their experience of the General Strike and life in the 1930s and 40s in a depressed South Welsh mining village.
Young Socialists from Glasgow, Liverpool and Swansea march to London and discuss their economic struggles en route. Supporting them are Ken Loach, Corin Redgrave, Arnold Wesker and other leading cultural figures of the left of British politics. The march is intercut with scenes dramatising parallel injustices in the English Civil War era and earlier - featuring Frances de la Tour in queenly mode as Elizabeth I. The film's unconventional structure also features frequent extracts of the rousing pop concert, with the band Slade, which culminated the epic march.
Editor
A portrait of Mrs Khadeeja Begum, a widowed Pakistani mother of two in 1970s Birmingham, featuring an ignorant, casually racist voiceover by the condescending (white) filmmaker.
