A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.
Producer
A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.
Director
The rise of the extreme right in Brazil from the perspective of artists whose works were censored.
Director
Editor
Vitória decides to stop taking the abuse at the factory and goes in search of someone who will listen to female workers. Made with employees from a textile company in rural Minas Gerais. An urgent story, now that Brazil's extreme right-wing government is destroying social structures at a rapid rate.
Cinematography
Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.
Producer
Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.
Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.
Anderson
Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.
Director
A congolese immigrant can't find a job. A resident of an occupation is exoelled from home. He doesn't know where he is going, she has nowhere to go. Together they roam the night of the city.
Screenplay
From the murder of his father by his uncle, Hamlet is forced to confront its own contradictions and the world around him. In a deconstruction of itself, Hamlet delves into the eternal question of the meaning of existence. Set in a large metropolis, Hamlet is a free adaptation of William Shakespeare's tragedy.
The Ripper
A vampire pretends to be a hooker on Augusta St., in São Paulo, to feed on her victims, until she comes across a monster that attacks at the same address.
Writer
Henrique is a filmmaker who has made films that hardly anyone saw. A marginal for lack of choice.
Henrique is a filmmaker who has made films that hardly anyone saw. A marginal for lack of choice.
Inspired by the masterpiece of concrete music "Symphony for one man" Pierre Henry (1950), the film tells the story of a common man leaving the interior of Brazil to try life in São Paulo. The city, in its perpetual process of construction and deconstruction view from the microcosm of a construction site, its workers and a profusion of machines in full swing. The metaphysical revolt of this character is the revolt against his condition and against everything that humiliates him.
Three desperate stories about working life in São Paulo.
