Adrián Silvestre

Adrián Silvestre

プロフィール写真

Adrián Silvestre

参加作品

My Emptiness and I
Screenplay
Raphi, from France, fantasises about romances with princes, and about starting a traditional family. But in reality, things aren’t like that. She works in a call centre in Barcelona, struggles with at times embarrassing dates, and is diagnosed by her therapist as having gender dysphoria. During this confusing, yet valuable period, we follow this trans woman as she makes her transition, as well as in her everyday life. She talks candidly with colleagues, queer friends, and the men she meets through apps. In spite of all the advice she receives, it turns out that it is mostly time and experience that will help her embrace her place in this world.
My Emptiness and I
Editor
Raphi, from France, fantasises about romances with princes, and about starting a traditional family. But in reality, things aren’t like that. She works in a call centre in Barcelona, struggles with at times embarrassing dates, and is diagnosed by her therapist as having gender dysphoria. During this confusing, yet valuable period, we follow this trans woman as she makes her transition, as well as in her everyday life. She talks candidly with colleagues, queer friends, and the men she meets through apps. In spite of all the advice she receives, it turns out that it is mostly time and experience that will help her embrace her place in this world.
My Emptiness and I
Director
Raphi, from France, fantasises about romances with princes, and about starting a traditional family. But in reality, things aren’t like that. She works in a call centre in Barcelona, struggles with at times embarrassing dates, and is diagnosed by her therapist as having gender dysphoria. During this confusing, yet valuable period, we follow this trans woman as she makes her transition, as well as in her everyday life. She talks candidly with colleagues, queer friends, and the men she meets through apps. In spite of all the advice she receives, it turns out that it is mostly time and experience that will help her embrace her place in this world.
Sediments
Editor
She goes on the trip with five colleagues from I-Vaginarium, a group of transsexual women with whom she will share an intense week in unusual natural landscapes, exploring the ins and outs of their personalities, looking for answers about what unites them and learning to deal with their differences.
Sediments
Writer
She goes on the trip with five colleagues from I-Vaginarium, a group of transsexual women with whom she will share an intense week in unusual natural landscapes, exploring the ins and outs of their personalities, looking for answers about what unites them and learning to deal with their differences.
Sediments
Director
She goes on the trip with five colleagues from I-Vaginarium, a group of transsexual women with whom she will share an intense week in unusual natural landscapes, exploring the ins and outs of their personalities, looking for answers about what unites them and learning to deal with their differences.
The Objects of Love
Writer
Luz emigrated to Italy in search of a better future. In Colombia she has left his two years son by his family. But her European dream begins to truncate and turn into a series of misfortunes. She assumes her new social status and start from scratch, working in the cleaning sector. Until unexpectedly she meet Fran, a person who breaks all schemes. Luz and Fran decided to own their own lives, with the world ahead, and Rome at their feet.
The Objects of Love
Director
Luz emigrated to Italy in search of a better future. In Colombia she has left his two years son by his family. But her European dream begins to truncate and turn into a series of misfortunes. She assumes her new social status and start from scratch, working in the cleaning sector. Until unexpectedly she meet Fran, a person who breaks all schemes. Luz and Fran decided to own their own lives, with the world ahead, and Rome at their feet.
Natalia Nikolaevna
Director
Natalia Nikolaevna lives 400 km from Havana, in the city where the first nuclear power plant would be built in Cuba. He arrived 20 years ago from the USSR, to be reunited with her husband and work as an opera singer. In 1992, he began the great crisis, known as the Special Period. Natalia divorced, and rooted in the place gradually discovered him as the most hostile of spaces. Single mother without job opportunities, invented their own stage-a park-, their own -the spectators tourists- and their own livelihood: what gave him for his arias.
Dácil
Director
Dacil and Roberto are classmates in the faculty of Fine Arts. Their relationship starts to change when Simon, their video arts teacher, gives them as a final project a self-portrait, using video as the means of expression.