Director
Colorist
In a remote rural estate house, a woman sleeps, she is alone. It’s a time not far from the dawn of the moving image, the obsessed and wealthy Dr. Epstein engineers a number of scientific experiments. He subjects his adopted children, Pete and Re-Pete, along with his darling flapper, Baby Dee, to his various scientific tasks. Things take a decidedly strange turn when Epstein makes a deal with some shifty-looking vagabonds. On doing so he opens a door to the unknown, ruptures the fabric of time and unleashes a shadow-like character bent on reducing all those he encounters to dust.
Editor
In a remote rural estate house, a woman sleeps, she is alone. It’s a time not far from the dawn of the moving image, the obsessed and wealthy Dr. Epstein engineers a number of scientific experiments. He subjects his adopted children, Pete and Re-Pete, along with his darling flapper, Baby Dee, to his various scientific tasks. Things take a decidedly strange turn when Epstein makes a deal with some shifty-looking vagabonds. On doing so he opens a door to the unknown, ruptures the fabric of time and unleashes a shadow-like character bent on reducing all those he encounters to dust.
Director of Photography
In a remote rural estate house, a woman sleeps, she is alone. It’s a time not far from the dawn of the moving image, the obsessed and wealthy Dr. Epstein engineers a number of scientific experiments. He subjects his adopted children, Pete and Re-Pete, along with his darling flapper, Baby Dee, to his various scientific tasks. Things take a decidedly strange turn when Epstein makes a deal with some shifty-looking vagabonds. On doing so he opens a door to the unknown, ruptures the fabric of time and unleashes a shadow-like character bent on reducing all those he encounters to dust.
Writer
In a remote rural estate house, a woman sleeps, she is alone. It’s a time not far from the dawn of the moving image, the obsessed and wealthy Dr. Epstein engineers a number of scientific experiments. He subjects his adopted children, Pete and Re-Pete, along with his darling flapper, Baby Dee, to his various scientific tasks. Things take a decidedly strange turn when Epstein makes a deal with some shifty-looking vagabonds. On doing so he opens a door to the unknown, ruptures the fabric of time and unleashes a shadow-like character bent on reducing all those he encounters to dust.
Director
In a remote rural estate house, a woman sleeps, she is alone. It’s a time not far from the dawn of the moving image, the obsessed and wealthy Dr. Epstein engineers a number of scientific experiments. He subjects his adopted children, Pete and Re-Pete, along with his darling flapper, Baby Dee, to his various scientific tasks. Things take a decidedly strange turn when Epstein makes a deal with some shifty-looking vagabonds. On doing so he opens a door to the unknown, ruptures the fabric of time and unleashes a shadow-like character bent on reducing all those he encounters to dust.
Director
Entirely shot one frame at a time the project looks at the craft of filmmaking filtered through thematic lenses of ritual, desire and horror, themes often found in genre film. It presents and examines some of the tools and elements that are involved to create such sensational effects while remaining fundamentally a very hands-on craft.
Writer
A documentary like no other. Starting with the bizarre practices and fantasies of a group of filmmakers working under the label Experimental Film Society, it spins off into a manifesto of light and sound. This dazzling journey through a view of cinema as cosmic ritual and erotic delirium is also an idiosyncratic celebration of the medium itself. Rouzbeh Rashidi’s ornate visual style unleashes a parade of visionary scenes that redefine movie magic as a fevered hallucination.
A documentary like no other. Starting with the bizarre practices and fantasies of a group of filmmakers working under the label Experimental Film Society, it spins off into a manifesto of light and sound. This dazzling journey through a view of cinema as cosmic ritual and erotic delirium is also an idiosyncratic celebration of the medium itself. Rouzbeh Rashidi’s ornate visual style unleashes a parade of visionary scenes that redefine movie magic as a fevered hallucination.
Color Grading
Phantom Islands is an experimental film that exists at the boundary of documentary and fiction. It follows a couple adrift and disoriented in the stunning landscape of Ireland’s islands. Yet this deliberately melodramatic romance is constantly questioned by a provocative cinematic approach that ultimately results in a hypnotic and visceral inquiry into the very possibility of documentary objectivity.
Director
Two actors play two lovers before meeting death in a car crash. They drift through muddled memories and moments in search of one another.
Director
Short film by Michael Higgins.
Director
A totemic walkabout through a single cycle of John Moriarty’s Dreamtime, the film is a waking nightmare. The textures and patterns, light and shadows and the very material of sound and image construct an experience that re-realises our cultural past, present and future in one metamorphic breath.
Director
Funnel Web Family Refrigerated is a refrigerated version of the 13 minute Funnel Web Family i.e. it lasts longer. Similar to the defrosted version it is a prying look at the creatures that inhabit a home. Shot using an early form of wireless CCTV camera technology it places the viewer in an intense voyeuristic position which at times generates a sense of unease and atmospheric disturbance. However with such horror comes a sense of relief and comfort.
Director
Sound
Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.
Editor
Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.
Cinematography
Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.
Writer
Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.
Director
Some Must Watch While Some Must Sleep is a hypnotic and oneiric cinematic poem composed from footage Michael Higgins shot on the road across Alberta and BC, Canada. Photographed on Super 8mm and using hand-processed film techniques to create an unworldly zone between sleep and wakefulness, it looks at three characters and the film’s material that connects them. It is a film that invites the viewer to sleep with the film’s protagonists, to drift across into the dream world of the film’s material and lose touch with their current surroundings.
Director
In the time of Ireland's Great Famine, an elderly gravedigger revisits a traumatic event through the decaying visions of his fragmented dreams.
Two friends spend their time consumed in the forgotten moments of the everyday that underpin touristic adventure. It is in these moments that we see reflected the flat and banal nature of real life.
Director
Two friends spend their time consumed in the forgotten moments of the everyday that underpin touristic adventure. It is in these moments that we see reflected the flat and banal nature of real life.
