Jana Dolanská

出生 : 1954-06-03, Praha, Československo

参加作品

Pátek čtrnáctého
...ani smrt nebere!
The Golet in the Valley
Fajga
In 1930s Ukraine, the desecration of a sacred bath disrupts the sex lives of Jewish villagers.
O kumburské Meluzíně
služebná Ančí
Helimadoe
Ariadnina niť
Jánošova kouzelná flétnička
Přes padací mosty
Vojtech, Called the Orphan
Blažena
Symbols and political analogies abound in this dramatically frustrating first work by a recent film-school graduate. In the story, Vojtech has survived World War II in a Czech prison following an unjust sentence. Now he is free, and the world is full of possibilities.
Der Mann im Salz
Marie
Caught by Night
Jozka Jaburková
A communist journalist from Prague is sent to Ravensbruck concentration camp.
Statečný Azmun
The Millennial Bee
Hanka
A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.
Blue Planet
A young engineer, Štěpán Pavlík, dreams of becoming a cosmonaut.
Zlaté rybky
Podivný výlet
Co je platno kárat, co je platno kázat
The Apple Game
School Girl
Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.
Stín létajícího ptáčka
Dům Na poříčí
Helena Brožová (voice)
Dům Na poříčí
Hřiště
And Give My Love to the Swallows
This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.