Théo Court

Théo Court

出生 : 1980-01-01, Ibiza, Balearic Islands, Spain

略歴

Born from Chilean parents, Théo Court (1980) grew up in Spain and Chile. In 1999, he started an education in photography in Madrid. In 2000, he returned to Chile where he began his film studies at the Arcis University. In 2004, he graduated in Directing at the International School of Film and TV in Cuba. He developed the script of his first feature film, Ocaso (2010), with the support of IFFR's Hubert Bals Fund. The film premiered in Rotterdam. Blanco en blanco (2019) is his second feature film.

プロフィール写真

Théo Court

参加作品

White on White
Idea
In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.
White on White
Mercenary
In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.
White on White
Screenplay
In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.
White on White
Director
In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.
Ocaso
Director
Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.
Sendero
Director
El Espino
Writer
Born in a lonely wasteland, three characters live together: a man, a lame girl and an old man. An invisible premonition haunts the place and the characters who live in it. The man and the girl decide to leave; one of them stays: the old one. The characters flee to a place without a destination, a place that they themselves do not know what it is. The old man, alone, under those black hills, decides to make a resolution before that place and before himself.
El Espino
Director
Born in a lonely wasteland, three characters live together: a man, a lame girl and an old man. An invisible premonition haunts the place and the characters who live in it. The man and the girl decide to leave; one of them stays: the old one. The characters flee to a place without a destination, a place that they themselves do not know what it is. The old man, alone, under those black hills, decides to make a resolution before that place and before himself.
El aspado
Assistant Director
A ruthless thief has a change of heart after being mortally wounded and wants to carry the town's cross on the Way of the Cross in order to save his soul.
El último disparo del Negro Chávez
Continuity
A young horse-tamer is wrongly accused of theft.
El último disparo del Negro Chávez
Assistant Director
A young horse-tamer is wrongly accused of theft.