Sabarni Das

The film narrates the story of a PhD scholar, who is pursuing his research on Uttam Kumar. After being rejected by the girl he likes romantically, he decides to bring the spirit of the legendary actor back with the help of his grandson.

Kolkata is in danger as Badami Hyena, an evil force, looms threat over the city. Dipak Chatterjee, the long-forgotten detective created by pulp-fiction writer Samarendranath Pandey, better known by his pen name Shri Swapankumar, comes out of his web of hurt pride to save the City of Joy. But Shri Swapankumar soon charts a crazy narrative that complicates Dipak's fate! Can the madcap detective save his city and himself?

Pratiksha, 27, arrives in London three months after her marriage and shortly finds herself entrapped in a vortex of lies, deceit and danger. If she does not get out of the mess, everything in her life is at risk. She meets Ayesha.

Inspired by the real events that took place in the Pilibhit Tiger Reserve where people used to leave their elderly family members for tigers to prey on, and then claim compensation from the administration, it is a story of Gangaram, a patriarch of a farmer family entrenched in poverty because of three consecutive failed monsoons. He enters the forests to adopt the infamous Tiger practice to give up his life so that his family can have two square meals, however, what follows next is a series of unprecedented events.

Mahananda is an ambitious project based on the life and works of author and activist Mahashweta Devi who had devoted decades of her life to uplift tribals, especially the Lodha and the Shabar communities of West Bengal.

Abbar Kanchanjangha is a Bengali feature film celebrating 100 years of Satyajit Ray, produced by Shilpi A Pandey & Akshatt K Pandey and Directed by Raajhorshee De . First time ever 17 stars come together as a cast for any Bengali film .

Based on the historical attack on Writers' Building by three Bengal Volunteers in 1930. Releasing on Indian Republic Day.

An old man commits suicide by jumping before a running train. In the next 72 hours, six stories unfold one after another. Curiously interlinked, each story is born out of a chance encounter between two strangers leading to a high voltage drama with a strange twist at the end.

The story revolves around a hotel named "Shah Jahan Regency" and lives of people associated with that hotel. The hotel is one of a kind and very different from others as it strongly believes in the rich culture of India and tries to imply and maintain that in every aspect of the hotel - starting from the decor, to uniforms of the staff members, to the names given to various parts of the hotel.

A story about the aristocratic Basak family and their mansion in northern Kolkata.

A modern day adaptation of two of William Shakespeare's tragedies - Julius Caesar and Antony and Cleopatra.

In August 1947, the British passed a bill regarding the partition of Bengal. Delving into the grim history of the Partition, Mukherjee's movie Rajkahini is woven around a border between the two nations that runs through a brothel housing 11 women.

Nirbaak is a hyperlink narrative comprising four love stories connected by a single woman. Every love story comprises one entity which is silent and thus Nirbaak (Speechless)

Nilkantha, an artist, is admitted in a mental asylum but even while undergoing treatment, he manages to write a play.

Aborto is a film which talks about the relentless pursuit of prominence in professional career, and the resulting alienation from loved ones in terms of sensitivity, feeling and emotion. ...

Rameshchandra Chaudhry, a lawyer by profession, is in love with Hemnalini, and is displeased when he finds that his father wants him to marry Sushilla, the daughter of a widow. He initially refuses despite of his father disowning him, but changes his mind when the bride's mother pleads with him, and gets married without even seeing, leave alone getting to know his bride. After the marriage, they board a boat which overturns after a storm, and they end up being the only survivors. Unable to get Hemnalini out of his mind, he refuses to be intimate with his bride. On talking with her gradually over the next few months, it slowly sinks in that she is not Sushilla but Kamla - the bride of another male! The question remains: what can he do under these circumstances, and what impact will this have on Kamla - who has traditionally accepted him as her husband.

The film is the effective exploration of a situation wherein a bereaved mother comes to terms with her late son’s sexual identity.