Adam Hohenberg

参加作品

Free In Deed
Associate Producer
When a single mother brings her young boy to church for healing, this lonely pentecostal minister is forced to confront the seemingly incurable illness of the child... and his own demons as well. The more he prays, the more things seem to spiral out of his control.
Maya Dardel
Co-Producer
An internationally respected poet announces she is going to kill herself and needs an heir and executor. Young writers drive up the mountain to compete for the position and are challenged intellectually, emotionally, and erotically.
Sun Don't Shine
Thanks
Crystal and her boyfriend Leo embark on a tense and mysterious road trip through the desolate yet hauntingly beautiful landscape of central Florida.
Keep the Lights On
Executive Producer
Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takers — compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.
Open Five
Executive Producer
A blend of reality and fiction, "Open Five" follows the story of Jake, a struggling musician and his sidekick, Kentucker, a maker of "poor" films and what happens when two girls (Lucy and Rose) venture down to Memphis for a long weekend.
Forty Shades of Blue
Associate Producer
A Russian woman living in Memphis with a much older rock-n-roll legend experiences a personal awakening when her husband's estranged son comes to visit.
Side/Walk/Shuttle
Associate Producer
In Side/Walk/Shuttle, he takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting the orientation of his camera to offer images of the city as a site of flux, freed from gravity to rearrange itself in perpetuum. While the sensual and emotional experience of all these new views is enough to make one's life richer (the phrase "city symphony" has never seemed quite so apt), Gehr's film is also a deeply visceral reminder that the world contains so much more than we can ever know. -- Slant Magazine