Conductor
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.
Conductor
In the cold of winter, an exuberant poet lives in poverty with his three bohemian flatmates. His heart is warmed when he falls in love with his fragile neighbour, but then her illness takes a turn for the worse. The National Centre for the Performing Arts in Mumbai presents this innovative semi-staged production of Puccini’s beloved opera. Carlo Rizzi conducts the lush score, which is interspersed with texts from Henri Murger’s original novel to tell the tale of the lives and loves of the young bohemian artists in the Latin quarter of Paris.
Conductor
The “superb, sinister” Tales of Hoffmann at the Dutch National Opera with “excellent soloists, the impressive John Osborn” (Theaterkrant) and “Christine Rice, a vocally and physically voluptuous Giulietta” (bachtrack.com), “mezzosoprano Irene Roberts, who plays and sings brilliantly” (Groene Amsterdammer) and “Erwin Schrott, singing the four villains for the first time, made it look like a blast.” (bachtrack.com) “Les Contes d'Hoffmann is a parade of golden voices”. (Volkskrant) Maestro Rizzi conducted with elegance and momentum the chorus and the “excellent playing Rotterdam Philharmonic Orchestra”. (Volkskrant) “Spectacular” (Trouw) “This production effortlessly fascinates from start to finish.” (Theaterkrant)
Conductor
Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.
Conductor
Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.
Conductor
A small village in Sicily, Easter Sunday. A despondent Santuzza searches for Turiddu, the man she loves. Before leaving for the army he was in love with Lola. But Santuzza, despite being married to Alfio, has won back Turiddu’s heart...Elīna Garanča and then Elena Zhidkova will lend their voices to the role of the heart-breaking Santuzza.
Conductor
Klementia, who has been a nun for several years, is troubled by an apparition of Saint Susanna. The latter, performed by Anna Caterina Antonacci, lifts the veil on a carnal world she finds disturbing. Encouraged to confide by this awakening, Klementia recounts the passion of a young girl in the convent who many years before had stripped naked and embraced the body of Christ on the Cross. Darkness and light, life and death, body and soul all struggle and dialogue in this short, smouldering work in which the biblical figure of Susanna takes on an unparalleled psychological dimension.
Conductor
Klementia, who has been a nun for several years, is troubled by an apparition of Saint Susanna. The latter, performed by Anna Caterina Antonacci, lifts the veil on a carnal world she finds disturbing. Encouraged to confide by this awakening, Klementia recounts the passion of a young girl in the convent who many years before had stripped naked and embraced the body of Christ on the Cross. Darkness and light, life and death, body and soul all struggle and dialogue in this short, smouldering work in which the biblical figure of Susanna takes on an unparalleled psychological dimension.
Conductor
A small village in Sicily, Easter Sunday. A despondent Santuzza searches for Turiddu, the man she loves. Before leaving for the army he was in love with Lola. But Santuzza, despite being married to Alfio, has won back Turiddu’s heart...Elīna Garanča and then Elena Zhidkova will lend their voices to the role of the heart-breaking Santuzza.
Director
Conductor
A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.
Conductor
La Fanciulla del West by Puccini, the first western lyric opera, was performed in Amsterdam in 2009, staged by Nikolaus Lehnhoff. In this version, which is now available on medici.tv, the Nederlands Philharmonisch Orkest is conducted by Carlo Rizzi. Eva Maria Westbroek plays the part of Minnie and Lucio Gallo plays Jack Rance.
Conductor
美しき歌姫として実力、人気ともにトップクラスのソプラノ歌手、アンナ・ネトレプコをヴィオレッタ役に迎えた歌劇《椿姫》の模様を収録。アルフレード役にはテノール歌手、ローランド・ビリャソンを迎え、ネトレプコと共に息の合った歌唱を披露する。
Conductor
美しき歌姫として実力、人気ともにトップクラスのソプラノ歌手、アンナ・ネトレプコをヴィオレッタ役に迎えた歌劇《椿姫》の模様を収録。アルフレード役にはテノール歌手、ローランド・ビリャソンを迎え、ネトレプコと共に息の合った歌唱を披露する。
Music Director
José Cura, Dmitri Hvorostovsky, Verónica Villarroel and Yvonne Naef lead the star cast of Verdi's blazingly passionate opera IL TROVATORE, in Elijah Moshinsky's new Royal Opera House production co-produced with Teatro Real Madrid, with sets by the noted film designer Dante Ferretti and costumes by Anne Tilby.
Conductor
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
