Douglas O. Williams

Walter is a successful doctor, and so is his wife Evelyn. Wealthy and good-looking, they should be a happily married couple, but they're not. Walter is so caught up in his career that he fails to keep up with Evelyn. So when she falls for the charms of Greg, a real estate Romeo, it takes Walter by surprise. Even more so, because he finds out about it from Stephanie, Greg's deserted TV weather girl girlfriend.

The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.

The film suggests Nijinsky was driven into madness by both his consuming ambition and self-enforced heterosexuality, the latter prompted by his romantic involvement with Romola de Pulszky, a society girl who joins impresario Sergei Diaghilev's Ballets Russes specifically to seduce Nijinsky. After a series of misunderstandings with Diaghilev, who is both his domineering mentor and possessive lover, Nijinsky succumbs to Romola's charms and marries her, after which his gradual decline from artistic moodiness to complete lunacy begins.

名匠ウォルター・ヒルがライアン・オニール主演で撮り上げた傑作カー・アクション。ギャングや強盗の逃走を請け負うプロの“逃がし屋”と、彼を執拗に追う刑事、謎めいた女ギャンブラーが三つ巴の戦いを繰り広げる。

Set in rural Nebraska following the First World War, six veterans on motorcycles ride into the sleepy little town of Bingo. The locals are friendly until one of the vets beats a local kid in a drag race, after which the six are driven out of town. After coming upon a small farm, the fugitives are allowed to hide out by the two sisters who run the place. Things go smoothly until one of the vets, after smoking the locoweed growing nearby, tries to rape one of the hosts. Being part Native American, her sister decides to get revenge by casting a hex that steadily does in each of the unwelcome guests.

１９４１年１２月８日の日本軍による真珠湾攻撃の全容を、日米合作オールスター・キャストで映画化した超大作。

第二次大戦のアフリカ戦線で活躍したアメリカの将軍、ジョージ・パットンを描いた伝記的戦争ドラマ。優れた戦略家であるとともに、数々の奇行の持ち主とされたパットン将軍を、Ｇ・Ｃ・スコットが好演。ロンメル率いるドイツ軍との戦いが見どころ。

Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.