Pyotr Yermolov

出生 : 1887-09-26,

死亡 : 1953-03-19

参加作品

Timur and His Team
Director of Photography
A story about a young boy Timur and his team who are living in a small Moscow suburb during the years before WWII.
My Universities
Director of Photography
My Universities (Moi universiteti) is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. The "university" of the title is actual the school of Hard Knocks, as Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.
The Childhood of Maxim Gorky
Director of Photography
Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.
On the Strangeness of Love
Director of Photography
At a Crimean resort two friends try to pick up girls.
Marionettes
Director of Photography
The Soviet Union wants more influence in Europe and decides to get more power by giving the nation of Boufferia a new king, an easy to handle drunkard, because they don't have enough power over the current king.
St. Jorgen's Day
Director of Photography
The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint.
The Happy Canary
Cinematography
Actress Brio working in a cafe "The Happy Canary", does not suspect that her new acquaintances Brianski and Lugovec are Communists sent by an underground committee to fight the enemy's counter-intelligence
Two-Buldi-Two
Director of Photography
Naturally, the circus milieu of 2 Buldy 2 (1929) encourages stunts. A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution. At the climax Buldy Jr. escapes the Whites thanks to flashy trampoline and trapeze acrobatics; the gaping enemy soldiers forget to shoot.
The White Eagle
Director of Photography
The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy.
The Bear's Wedding
Cinematography
Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill. Eggert’s direction of the movie is as odd as the plot. The whole film is unsettling. The titles are too long; there are interminable shots of irrelevant action; the cutting is uneven. The heroine is unsuitably comic, spasmodically jumping around, smearing ink on her face, knocking things over. For some reason the somber, doomed count falls in love with this girl and decides to marry her.