Art Direction
Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.
Art Direction
1960年、イスラエル諜報特務庁の諜報員たちはある重要任務につく。それは、悪名高いナチスの戦犯アドルフ・アイヒマンを捕らえること。史実に基づくドラマ。
Production Design
Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.
Art Direction
Ramón Alvia is a professional boxer who, although he has won several international championships, is old and is at the end of his career. He resists. In the gym, Ramon discovers among the young boxers Deborah, a beautiful girl.
Production Design
Five shorts spanning a century on lives impacted by the Panama Canal. Men, women and children who are influenced by the existence of the "Canal", the event that changed the history of not only a country but the world.
Production Design
南米アルゼンチンを旅行中のエリーとステファニーは、退屈なツアーを脱け出し単独行動を取ることに。地元の少女が行方不明になったと噂のアレマナという町を散策にするが、大げんかの果てにエリーが姿を消してしまう。残されたステファニーはエリーに危険が迫っていることに気づくのだが…。
Set Dresser
Art Designer
A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by
Set Dresser
A woman would rather forget her husband's forced disappearance at the hands of the government.
Set Designer
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?
