E. T. A. Hoffmann

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. Recorded on stage 3 December 2018—15 January 2019 as part of the Autumn 2018/19 season.

ヴィクトリア朝時代のロンドン。母を亡くして悲しみに暮れる少女クララは、クリスマスに母の形見の卵型の箱を贈られたが、それを開く鍵は見当たらなかった。そんな中、名付け親のドロッセルマイヤーが主催するパーティーに家族で参加したクララは、贈り物として箱の鍵を見つけるが、手にする前にネズミに奪われてしまう。ネズミと鍵を追うクララは、いつしか不思議な世界へ迷い込む。そこは、亡き母が創り上げた秘密の王国だった。

ヴィクトリア朝時代のロンドン。母を亡くして悲しみに暮れる少女クララは、クリスマスに母の形見の卵型の箱を贈られたが、それを開く鍵は見当たらなかった。そんな中、名付け親のドロッセルマイヤーが主催するパーティーに家族で参加したクララは、贈り物として箱の鍵を見つけるが、手にする前にネズミに奪われてしまう。ネズミと鍵を追うクララは、いつしか不思議な世界へ迷い込む。そこは、亡き母が創り上げた秘密の王国だった。

The film will be based around three of Hoffmann's tales (Klein Zaches, The Golden Pot and The Sandman), with the main character being Hoffmann himself. In particular, it will focus on the duality between the imaginative universe of his writings and his real-life profession as a government clerk (which will be based on his letters and journals)

Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson… The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

New tenor star Vittorio Grigolo takes on the title role in Offenbach’s fantastical opera, giving a tour-de-force performance as the tortured poet unlucky in love. He is joined by a trio of leading ladies: Erin Morley sings the mechanical doll Olympia, Hibla Gerzmava is the fragile Antonia, and Christine Rice sings Giulietta, the Venetian courtesan. Bartlett Sher’s colorful production, seen here in its second Live in HD presentation, also stars Thomas Hampson as the sinister Four Villains and Kate Lindsey as Niklausse, Hoffmann’s friend and muse. Yves Abel conducts.

On Christmas Eve, Marie is given a wooden nutcracker as a gift. When the clock strikes midnight, the Nutcracker transforms into a prince and saves Marie from the Mouse King and his army. This beloved holiday classic will enchant the whole family with its fairytale setting and Tchaikovsky’s timeless score. This live version of The Nutcracker, created for the Bolshoi by Yuri Grigorovich, is full of romanticism and philosophical reflections on ideal love.

This adaptation of the Nutcracker story (by Tchaikovsky and original choreography by Marius Petipa and Lev Ivanov) is updated in this stop-motion animation from the original Japanese release of 1979. The new 3-D rendering is complemented by the art direction of Sebastian Masuda who is responsible for much of Kyary Pamyu Pamyu's style. She also provides music here.

This interpretation of Coppélia is set in a cybernetic laboratory specialised in artificial intelligence, where Doctor Coppélius is attempting to create a female android that moves and acts like a human. Against a backdrop of futuristic sets the Víctor Ullate Ballet clothes this classic in a new, bouncy and colourful fairytale wardrobe. Recorded live at the Opera Royal du Chateau de Versailles, 2013.

An adaption of E.T.A. Hoffmanns classic tale of horror!

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

In this joyful version, a beautiful mechanical doll interferes with the happiness of two lovers. Original choreography by Marius Petita. New version by Sergei Vikharev. Music by Leo Delibes. Live performance 29 May 2011.

A masterpiece of classical dance, this Nutcracker is a magical version of the score by Tchaikovsky filmed at the Bolshoi Theatre. Recorded live in December 2010.

Live from the Metropolitan Opera 19 December 2009.

On Christmas Eve, the parents of Clara and Fritz have invited guests. Among them is Clara’s godfather Drosselmeyer, who presents her with a nutcracker. Clara is delighted and finally falls asleep with her Christmas present tucked under her arm. But at midnight Drosselmeyer appears as a wizard and transforms the Nutcracker into a prince.

This acclaimed adaptation of Tchaikovsky's fabled masterwork from Graeme Murphy and the Australian Ballet tells the story of a famous Russian ballerina who immigrates to Australia in the 1940s, only to find a newly tumultuous life awaiting her there. Noel Smith conducts the State Orchestra of Victoria, and Vicki Attard, Siobhan Elsmann, Steven Heathcote and Dame Margaret Scott star in this 1994 production.

Among DVDs of "Hoffmann" currently available, this is the only one that even begins to stand comparison with the superlative Powell and Pressburger film (whose ideas it occasionally borrows). Olivier Py's baroque imagination, which sometimes leads him into self-indulgence and incoherence, is well suited to bringing out this opera's darkness and he does an excellent job

Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions. A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'.

Live peformance from the Sferisterio Opera Festival, August 2004. Our edition has an Italian cast of exceptional quality, in which stand out the amazing voice of Desirée Rancatore, the extraordinary artistry of Ruggiero Raimondi and the fascinating direction of Pier Luigi Pizzi, one of today's most creative directors. Interesting overview here: http://www.operatoday.com/content/2006/08/offenbach_les_c.php

Live performance from the Opéra National de Paris, 2003.

The director films the street where he lives in St. Petersburg, for a whole year, documenting the changes caused by the celebration of its 300th anniversary.

A re-staging of the Royal Ballet's 1985 production, with Anthony Dowell - this time as Drosselmeyer - and a new supporting cast. This Royal Ballet production of The Nutcracker (staged by Peter Wright) is a mix of the Balanchine and Vainonen schools of the Nutcracker. The Balanchine version of the Nutcracker emphasizes the child s fantasy: a land of sweets, with comic relief. The Vainonen Nutcracker emphasizes the romantic dreams of an adolescent.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.

This 37-minute 3-D Imax film adaptation from E.T.A. Hoffman's story is a straight narrative fantasy rather than a ballet. Little Clara receives a Christmas gift of a nutcracker doll and that night witnesses toys expanding in size and coming to life. The Nutcracker Prince takes Clara to his enchanted sugar castle where she meets pastry chef Sugar Plum who uses spun sugar to concoct the dancing Sugar Fairy.

Orphée aux Enfers, Offenbach's riotous parody of the dissipations of French life in the Second Empire, fairly gallops past in this 1997 Herbert Wernicke production staged at the Theatre de la Monnaie in Brussels. Based on Offenbach's meatier second version (1874) of the Orpheus legend, it features nicely judged performances across the board and some stunning special effects, notably the explosive locomotive crash signalling the breach of the divide between Heaven and Hell. Satire reigns, not least in the reactionary figure of Public Opinion, a pinny-clad bossy boots with a hint of Dame Edna Everage about her. Olympus is a moribund salon full of bored Gods, sick of the Ambrosian diet.

Daniel and Clara are on a vacation in Italy. In the form of the mysterious "Sandman" Coppola, a figure from Daniel's childhood, returns to haunt him, while he succumbs to an obsessive love with an enigmatic woman of strange beauty: Olympia, who might be far more than she first appears to be...

Live performance from the Opéra National de Lyon.

The storm is really getting bad out there. Come on in and sit by the fire, enjoy the tree, make yourself a hot cup of Cocoa and enjoy the classic tale of The Nutcracker. Let us be your instant Christmas escape into a world of majesty and wonder, a world filled with wooden soldiers and sugarplum fairies. This is a audio/video atmospheric piece that is designed to create instant Christmas ambiance.

A young child and his mother face a visit from the terrifying sandman.

After young Clara receives a wooden nutcracker as a Christmas gift, she dreams about a fantastical battle between her Nutcracker Prince and the evil Mouse King. At stake is the Nutcracker's freedom - and Clara's future happiness.

This delightful ballet tells the story of Dr Coppelius, an eccentric toymaker, who attempts to bring life to his beautiful doll Coppélia. He is foiled by the mischevious Swanilda, who masquerades as Coppélia and saves her love, Franz, from the Doctor's magic. Recorded live at the Sydney Opera House, this acclaimed production by Dame Peggy van Praagh, the founding Artistic Director of the Australian Ballet, is a triumph.

Otto Schenk’s brilliant production captures both the dark romanticism of the story as well as its fairy-tale magic. It is a superb setting for Neil Shicoff’s vivid portrayal of the tortured poet Hoffmann, as he recounts the loves of his life and the way he has been foiled by his nemesis—a marvelous James Morris in a tour-de-force performance of the opera’s four villains. Gwendolyn Bradley is the doll Olympia, Tatiana Troyanos sings the courtesan Giulietta, and Roberta Alexander portrays the innocent Antonia.

The colorful holiday classic is finally brought to the big screen, designed by famed children's story author and artist Maurice Sendak, and written for the first time to be as close as possible to the original story. A lavish, exciting and heart-warming celebration of dance, of music, and of life. Based upon the Pacific Northwest Ballet's original production.

Wolfgang Sawallisch conducts this acclaimed staging of Paul Hindemith's ambitious opera of the goldsmith Cardillac, whom fortune seems to favor and then abandon, featuring Donald McIntyre and Maria de Francesca-Cavazza in the starring roles. Filmed in 1985 at the Bavarian State Opera and directed by the legendary Jean-Pierre Ponnelle, the production captures every nuance of Hindemith's powerful tale of love, suspicion and betrayal. Opera Performance, recorded at 16-25 September 1985 at the National Theater in Munich.

A Count marries a woman with illness that makes her suffer attacks of vampirism. The Count took flight in the wildest horror, and ran, without any idea where he was going or what he was doing, impelled by the deadliest terror, all about the walks in the park, till he found himself at the door of his own Castle as the day was breaking, bathed in cold perspiration. Involuntarily, without the capability of taking hold of a thought, he dashed up the steps, and went bursting through the passages and into his own bedroom.

Seeking to exorcise the failure of his current love affair, the poet Hoffmann tells the tales of his three past loves - the doll-like Olympia, the high-class courtesan Giulietta, and the ambitious but delicate Antonia - and recalls how each was thwarted by the evil influence of his rival. In this production by the distinguished film director, John Schlesinger, with spectacular designs by Maria Bjornson and William Dudley, Offenbach's nightmare world is brought to life. The all-star cast is headed by Placido Domingo as Hoffmann: his three loves are Ileana Cotrubas, Anges Baltsa and Luciana Serra and the manifestations of his rival are sung by Geraint Evans, Robert Lloyd, Siegmund Nimsgern and Nicola Ghiuselev. The score, which includes such favourites as the "Barcarolle" and the "Doll's Song", is conducted by Georges Pretre.

Based off of the novel, "The Nutcracker and the Mouse King" and the ballet, "The Nutcracker", Sanrio shows their take on the classic story in a stop-motion animated film.

Young seminary student Franziskus (Benjamin Besson) has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie (Jaroslava Schallerová), whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin (Andrzej Kopiczynski) intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie (Milena Dvorská).

A young chambermaid finds a neglected nutcracker under a Christmas tree. It comes to life, but the Nutcracker is really an enchanted prince.

The story of a gold smith who is so obsessed with his own craft that he murders his customers.

On Christmas Eve, a little girl falls asleep after a party at her home and dreams herself (or does she?) into a fantastic world where toys become larger than life. Her beloved Nutcracker comes to life and defends her from the Mouse King, then is turned into a Prince after Marie saves his life.

A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz".

Several men have been murdered lately, mostly rich lovers on their way to meet their mistresses with gifts of fine jewelry. To fight this scourge, King Louis XIV decides to create a special court named "La chambre ardente", designed to find and punish the perpetrators of such heinous crimes. An unexpected person, Mademoiselle de Scudéry, the famous poetess, will find herself entangled in the web of a criminal intrigue linked with the jewel murders, along with a a goldsmith, his daughter and her fiancé...

One of the first movies made about the fairy tale Cinderella. The film is part of the current German expressionism. Because of that the film ends up being darker than the fairy tale itself.

"The Tales of Hoffmann" - The story of the poet Hoffmann, who falls in love with a mechanical doll, loses his mirror image in Venice and finally liberates his lover from the clutches of a sinister doctor.

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.

This production of the famous ballet has been reset to take place during the 1915 San Francisco World's Fair. From the lovely Waltz of the Flowers to the crystalline beauty of the stunning Snowflake Waltz; each scene is more breathtaking than the last; bringing to life all the well-known and beloved characters with fresh sparkle and compelling originality.

THE SANDMAN tells the story of Nathan, a young student in the city who struggles to forget his childhood trauma at the hands of the serial killer dubbed "The Sandman." Nathan killed The Sandman years ago, on Christmas Eve, after he witnessed the murder of his mother... until he sees the beautiful woman who lives in the apartment across the way dying at the hands of that same masked killer. This brutal murder plunges Nathan into an odyssey into the night country of his past, his dreams... and the buried secrets of The Sandman.