Director of Photography
A young Brazilian, who has just started working in a huge forest in Berlin, is dragged into a nightmare involving the German colonial past when he tries to find a girl lost in the woods.
Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.
Camera Intern
Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.
Post Producer
This short documentary captures the history and the current state of decay of the Cine Brasília: a movie theater founded in 1955 that became an important cultural fixture in the town of Carazinho, Brazil. In the 2010s, it turned into one of the last independent movie theaters in the brazilian south due to its steadfast owner, who refused to let his family business die out.
Director of Photography
This short documentary captures the history and the current state of decay of the Cine Brasília: a movie theater founded in 1955 that became an important cultural fixture in the town of Carazinho, Brazil. In the 2010s, it turned into one of the last independent movie theaters in the brazilian south due to its steadfast owner, who refused to let his family business die out.
Cinematography
Santiago, Amsterdam, Berlin, Cologne, Paris, London, Porto Alegre, Sao Paulo. The cities that witnessed the brief life of the poet, playwright and writer Caio Fernando Abreu (1948-1996) are now revisited and covered with fragments of his works and memories of his friends, such as Maria Adelaide Amaral, Grace Gianoukas and Adriana Calcanhoto.
Second Assistant Camera
Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.
Director of Photography
Guilherme feels attracted to his best friend, but is afraid to tell him that. Through the internet, he discovers a way to fulfill his desire.
