Raymond Lee King-Man

Hong Kong's most famous cop actor, Danny Lee (The Killer), directs and stars in Twist, an offbeat crime film that shows the stunning extremes that cops employ in order to catch the bad guys. When a clever thief (Simon Yam at his overacting best) gets away with a huge heist, he greets the investigating cops with buckets of know-it-all smarm and "yes, I did it" charm. He knows he's guilty, and the cops know he's guilty, but how can they prove it? Simon and his buxom girlfriend (Suki Kwan) aren't about to make it easy for the cops, and throw red tape, bureaucratic police procedure, and slimy lawyers in their way. It isn't until the cops devise new and sneakier methods to get the goods that they find a chance to put Simon away. But with only 48 hours in which to interrogate him, do they have enough time? The ethics of cops, as well as Hong Kong's bloated legal system, get a subversive skewering in Twist, an entertaining, slightly twisted cop thriller.

A recently married scholar goes on a quest for knowledge of other people's wives, based on his philosophical differences with the Sack Monk. He encounters the Flying Thief, who agrees to help him find women, but only if he attains a penis as big as a horse's. The scholar has a surgeon attach said unit, and he's off and running on his mission, only to find that there are obstacles to his new lifestyle, such as jealous husbands and treacherous females.

On a remote island off Hong Kong, its rich and happy inhabitants are celebrating an annual ritual by staging an operatic show. The island is not productive but its people are rich. No wonder police chief Yuan Kuei becomes suspicious. He thinks he is sitting on top of a narcotics ring. His two men are ordered to watch closely movement of the opera people. Little does the chief know that actually the islanders are living off the loot their ancestors made by raiding a government gold galleon some centuries ago. They buried much of the treasure and a dormant vampire under a pagoda......

Two policemen must pretend to be a gay couple in order to investigate the murders of homosexuals in Hong Kong.

In ancient China, a demon was defeated in a fierce battle with a priest, who sealed it's evil spirit in a vase. Centuries later, during the cultural revolution, rebels attempted to gain possession of the vessel from the priest's descendant; however, he threw it into the ocean to keep it from being tampered. The vase was recovered years later in Hong Kong and was auctioned off to a councilman. The demon, unfortunately, escaped and took control of the councilman's body, beginning a spree of terror in the city.

A woman seeks protection from a very mischievous ghost.

A motley group of Chinese prisoners held in the US is sent on a covert mission with the promise of a pardon: to go deep into Vietnam and destroy a secret depot of missiles that the US left behind during the pull-out.

Jason Chan, a Hong Kong lawyer, is angry at the way the law protects criminals and decides to take the law into his own hands, dishing out vigilante justice when a key witness and his entire family are murdered. But hotshot cop Cindy Si is soon on Chan's case, and the situation unravels into a fight that only a few will survive.

What happens when a glamorous express, with high government officials, wealthy merchants, concubines and a gang of brigands on board, speeds towards the small town of Hanshui, where escaping bank robbers, corrupt officials, and gamblers await? Well, let's just say the Titanic had a smoother maiden voyage.

The Suzie in the title refers to The World Of Suzy Wong, a great novel by British author Richard Mason which was made into a terrible Hollywood movie in 1960. Like Suzy, Shu Mei goes to work in a bar in Wanchai around the late 1950s, where sailors and foreign money are plentiful. But there isn't much similarity beyond this.

Taoist priestess Yu Hsuan-chi longs for the sort of earthy experience that a woman born to her lofty station is not expected -- or desired -- to have. While putting in an appearance with society's elite, she carries on a passionate affair with an itinerate swordsman named Tsui Po-hou. With both Hsuan-chi and Po-hou fighting against the tedium and hide-bound conventions of Chinese society, the two seem like a perfect match. Yet the ever restless Po-hou soon leaves her and continues on his travels. Hsuan-chi develops a reputation as an amoral libertine, partially because she is having sex with her maid Lu Chiao. After Po-hou returns and leaves her again, Hsuan-chi learns that Lu Chiao is pregnant but she refuses to divulge the name of the father. Hsuan-chi's reaction ultimately results in tragedy.

A Mo Lai Tau (Nonsense Comedy) directed by Hong Kong New Wave filmmaker Dennis Yu.

Imagine an old-school martial arts melodrama about competing fighting schools dropped into the grungy sci-fi world of Blade Runner, and you have an idea of the curious mix of styles in Flash Future Kung Fu. Eddy Ko is the maverick star pupil of an honorable school who secretly engages in underground "Black Boxing" bouts, a black market sport off limits to the school. The ambitious X-Gang, a bloodthirsty neo-Nazi-like organization, plots to take care of Ko and his friends and take over the city with their army of mind-controlled zombie soldiers. In true Hong Kong fashion, it boils down to a showdown of champions, and this one takes place in a boxing ring in an eerily empty warehouse with video coverage broadcasting the event all over.

The Perfect Wife?! is a 1983 Hong Kong romantic comedy film directed Dean Shek and starring Shek, Eric Tsang and Linda Lau.