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The youngest daughter, Chen Xue (Huang Cuiru), was separated from her mother Lu Xiyun (Huang Shuyi) by the time her parents divorced when she was five; when she was 25, her boyfriend Shi Luwei (Wang Kai ornaments) sent a two. The Yuewei Bai Wei dog gave Chen Xue as a Christmas gift. In the process of raising puppies, Chen Xue’s motherhood was initiated, and her resentment towards her mother and mother slowly changed. However, when her mother Lu Xiyun replaced her daughter to take care of Xiao Baiwei, she rekindled her feelings of nurturing her daughter from time to time. The puppy nicknamed the little daughter. The appearance of Little Baiwei made both mother and daughter return to the happiest time.

“黄金の右”と呼ばれるサッカー選手ファンは、チームメイトのハンが持ちかけた八百長試合に荷担したことがきっかけで自慢の脚を折られてしまった。夢半ばで諦めざるを得なかったファン。それから20年、ファンは、いまやサッカー界の首領として君臨するハンの雑用係にまで落ちぶれていた。そんなある日、ファンは街で不思議な青年シンと出会う。少林拳を信奉する彼は、くず拾いをしながら道行く人に少林拳を説いて回っていた。ファンはふとしたことからシンの超人的な脚力を見抜き、自らがなし得なかった夢をシンに託すべく、彼にサッカーを教え込むのだった。

In 1985, Cheung Yau-ming was one of five miscreants involved in the brutal murder of a white couple. As he was still a juvenile, the court ordered that he be "detained at Her Majesty's pleasure," a clause in British law allowing the government to imprison young offenders for an indefinite period. The film picks up in 1997, with Yau-ming (now 28) being paid a visit by a girl named Cheung Yue-ling. With only six months to go before the Handover, Yau-ming and 22 other prisoners hope to have their sentences determined soon, fearing what might happen should the decision about what to do with them become the province of incoming Chief Executive Tung Chee-hwa.

A taxi driver picks up a distraught woman who not only confesses her life story to him, but ends up in bed with him! This one night interlude leads to sexual encounters between five people who are forced to face the complexities of love and sex.

Chingmy Yau is spunky girl-next-door Tung-Tung, who's hot for rich guy Wing (Tony Leung Chiu-Wai), but she can’t say two words to him thanks to one of those afflictions that occurs only in movies. It seems she has this annoying problem of hyperventilating whenever a guy she likes looks at her.

Five cops work and get on each other's nerves during a hot summer. Tak is a gambler, too much so for his girlfriend to risk marriage. Daddy, a single father, is harsh with his son who reminds him of the woman who abandoned them. Monk is mercurial, talkative, a show-off. Kong, a steady family man, keeps the peace. Sam is new, hoping to fit in and make it as a cop. Three brutal and murderous robbers are on the loose, and so is a former soldier, embittered over the loss of his pension, using very real bombs to extort what's due him. It's a dangerous job, and the cops must watch each other's back, regardless of their personal problems.

Ma publishes books; his marriage is flat and his wife wants attention, so she arranges a photo session in bed with Si, a gay decorator, to make Ma jealous. Her friend, Linda Lo, also unhappily married, is there as well, dressed for the photos, and Si's lover is hiding in another room. Enter Henry Lo with a call girl, and Ma himself, intent on killing Si. Chance intervenes: a best-selling author and a prude, Lovely Pak, pays a call; she wants Ma to publish her books. Mistaken identities and everyone's attempt to seem conservative to please Pak lead to chaos: Si pretends to be Ma; Ma pretends to be a servant. Will Miss Pak sign a contract, and can the married couples find harmony?

Lau Ching Wan was in the force for almost ten years. He was very careless and was termed "Detective Idiot" by his colleagues. One day, he came to the knowledge that his boss, Christine Ng was a lesbian. Nevertheless, they became good friends and treated each other like brothers. Unfortunately, Lau fell in love with Ng's girlfriend.

Young friends (Jordan Chan, Moses Chan, Farini Cheung) look for happiness but find only fleeting pleasure in barhopping and one-night stands.

Marriage is a tomb of love? This film depicts the struggle of modern man to choose between bachelorhood and marriage. A sensitive yet comical look at love and commitment between men and women in the '90s. Chronicling the lives of a typical yuppie couple, Charcoal (Lau Ching-Wan) and Veronica (Ron for short) (Anita Yuen). Anita's goal in life is to have a baby, which certainly is not Charcoal's goal. Anita's best friend Ada (Lai Mei-Han) and her husband (Dayo Wong) are having a baby at the same time. However, Dayo surprisingly is a womanizer which leads to problems between the couple. In addition, Charcoal's ex-fiance Joyce (Annabelle Hui) is always around the corner.

Hung is back from the previous film On Parole and ready for business.

Hung is back from the previous film On Parole and ready for business.

In the early 1990s, Nǃxau was cast in three low-budget unofficial sequels that continued the fish-out-of-water aspects of the first two films.

Women in Hong Kong who have been in prison open a restaurant, but a triad boss tries to shut it down.

Two up-and-coming young fighters struggle to reach the top of their sport and survive the difficulties of life outside the ring. An inspirational drama with exciting boxing footage.

Building Inspector Tony (Tony Leung Ka Fai) investigates an old abandoned building in a deserted plant site and falls victim to a restless demon, who wants to resurrect into Tony's body. However, the spirit of a young woman (Rosamund Kwan) suddenly appears, saves Tony, and accidentally sucks some of his life force, thereby, sharing his feelings and emotions. The ghost falls in love with Tony, but he wants to use her to help him woo his gorgeous colleague (Ellen Chan).

Herman Yau turns his eye on the struggles of immigrants from Mainland China in this neorealist drama, which depicts the plight of a woman forced into prostitution after her husband becomes unemployed, leading to an unflinching story about the problem of domestic violence among families living in poverty.

Herman Yau turns his eye on the struggles of immigrants from Mainland China in this neorealist drama, which depicts the plight of a woman forced into prostitution after her husband becomes unemployed, leading to an unflinching story about the problem of domestic violence among families living in poverty.