Ernani Moraes

When the idealistic Paula resumes her work as a volunteer doctor in the Amazon, Teto convinces his partners to establish their tomato cooperative in a village in the region. But to win back Paula's heart and save the company from bankruptcy, Teto must definitely overcome his spoiled playboy habits and face the interests of a powerful farmer, who stands in his way.

Hickson lived off the books, running from one place to another to make a living. His only great achievement in life had been to win over his wife Jéssika, an evangelical hairdresser and his girlfriend since childhood. The two lead a life without great prospects in the suburbs of Rio de Janeiro until Hickson gets a job at an evangelical radio station. With luck, talent and the help of Jessica, he soon becomes a pastor and has a meteoric rise in the church. But with fame and money comes envy. What now Hickson?

A man who has no direction in life is mistaken for a famous motivational speaker. As he takes his place, he will try to find a reason to live.

Working incognito at his rich dad's company to test his own merits, Teto falls for Paula and tells her he grew up poor, a lie that spins out of control.

The pop band Slavabody Disco Disco Boys, a fever among girls from all over Brazil, announces that it will play in Rio de Janeiro. Gabi, Manu and Ritinha will do everything they can to watch the show far from the city where they live.

A restaurant owner going over the edge when an armed robbery is attempted at his establishment. He holds everyone captive at gunpoint – criminals and customers alike – and situations corrode into a nightmare state, guided by manipulation and raw compulsion.

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Biopic about the late Joãozinho Trinta, a self-taught classical dancer who turned Rio's Carnival into an international phenomenon in the 1970s and '80s by directing parades for samba schools and putting focus on costumes and decor.

After a shooting assignment, Henrique is mugged by two armed motor-bikers who steal his camera and speed off. Seconds later, he watches both get hit by a pickup truck driven by a self-appointed avenger, someone weary of feeling defenseless against the urban violence, and who decided to take action. Henrique recovers his stolen equipment and leaves, feeling avenged. But he goes back to find the memory card, with the photos, lost during the crash. From that moment, he is trapped in a situation where he is now the criminal for failing to rescue a victim, who had been his aggressor. Going from the murder scene to the police station, and then to the emergency ward of the public hospital, he attempts to clear himself.

José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

Felício, an old comedian, is in decadence after his partner Mandarim's suicide. When he finds out his former love Paloma has died, he leaves São Paulo and heads for the faraway State of Piauí, North of Brazil, in search of a new partner. He believes that if he manages to find him, the good times will return.

The five youngsters must prevent Nefasto from possessing the mythical Vulcan's hammer who grants an immeasurable power to its owner.

Scoundrel João Fausto, a former Portuguese officer, arrives in Tiradentes,in the State of Minas Gerais, Brazil. Using his status of former Imperial Court member, he tries to become lover of both ms. Lima and ms. Rocha, with the intention of taking their money.

Ivan Canabrava is a writer, turned insurance ivestigator who investigates mysterious deaths involving Bufo Marinus. Bufo Marinus is a frog poison causing catalepsy in humans, simulating death, enabling grand insurance fraud and other crimes. Ten years later, now as a successful writer, similar characters possibly using Bufo Marinus reappear and create an intricate plot full of surprises.

A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.

The story of one of the most important Brazilian heroes, Joaquim José da Silva Xavier, known as Tiradentes. He was the leader of a group who tried to proclaim Brazil's Independence from Portugal in 1789. But he was betrayed by one of his comrades and hanged.

At the end of the 19th century, a poor family comes to the rural Canudos, a community led by Antônio Conselheiro, seen by many as a holy prophet. Their ways bother the powerful people of the region, and the newly founded Republic sends their army to destroy the settlement, which culminates in one of the bloodiest wars in the history of Brazil.

The real story of Carlos Lamarca, a captain who, during the military dictatorship in Brazil, deserted Brazilian Army and got involved in left-wing guerilla groups, becoming one of their most prominent leaders.

The dictator of a small Caribbean island receives the New York Times daily, sent by a nephew. Through the newspaper, he gets in touch with the world. Guerrilla groups try to neutralize this information system.