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多くの部族が争っていた紀元前のシルクロード。前漢の西域警備隊長フォは、陰謀によって西域辺境の関所・雁門関へ送られてしまう。一方、ローマ帝国の将軍ルシウスは、権力争いの中で暗殺された執政官のまだ幼い末息子を守り、自らの軍を引き連れて雁門関へ逃れてくる。当初は対立するフォとルシウスだが、やがて互いの似た立場から深い友情で結ばれていく。そんな中、関所のとりでにルシウスたちを追うローマ帝国の大軍勢が迫る。
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Fai, once a world champion in boxing, escapes to Macau from the loan sharks and unexpectedly encounters Qi, a young chap who is determined to win a boxing match. Fai becomes Qi's mentor and rediscovers his passion to fight not only in the ring but for his life and the cares.
Original Music Composer
宋代末期の中国。偽金事件を捜査する首都警察に、皇帝直属の特務機関“神侯府”が協力することに。オオカミの血を引く剣の扱いにたける冷血、超能力が使える車いすの美女・無情ら神侯府の4人の秘密捜査官は、神侯府を率いる諸葛正我と共に捜査を開始。そして、事件の首謀者が豪商だと確信する。
Original Music Composer
White Vengeance tells the story of two brothers contending for supremacy during the fall of the Qin Dynasty, which ruled Imperial China from 221 to 206 BC. As rebels rose, the nation fell into chaos. Liu Bang and Xiang Yu, became leaders of the rebellious army, and also became sworn brothers in battle.Xiang Yu and Liu Bang are close friends who both serve King Huai of Chu. King Huai uses a plot, saying that whoever can subvert the Qin kingdom in Guanzhong would be the Lord Qin, in order to benefit from the competition between Xiang Yu and Liu Bang. Xiang Yu is over-confident. He fights against the main force of Qin army, and entrusts Liu Bang with Yu Ji, the woman he loves.Liu Bang expresses his love to Yu Ji and takes the chance to invade Guanzhong first when most of Qin army is outside fighting against Xiang Yu’s army.
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香港警察の刑事が、犯罪組織に潜入させる密告者に出所間近の青年サイグァイを誘い込む。断れない理由のあるサイグァイ。2人に闇社会との対決が迫っていた。
Original Music Composer
A police detective must solve a brutal murder to prove his partner's innocence and unearth the truth behind Hong Kong's police force. The investigation brings him to an unlikely collaboration with an inspector from the Narcotics Bureau, whose motives may not be what they seem.
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A powerful triad boss has been kidnapped, and the new police superintendent Koo decides to recruit the help of Mann, a former supercop who has since been relegated to back-up duty. Mann has his work cut out for him when he realizes his opponent is Sam, a former cop with plenty of grudges. When Sam takes the fight to Mann’s family, Mann is more than determined to bring down the dangerous kidnapper and his gang.
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A police sniper teams up with a hot-headed rookie to take down his former friend and teammate, who is exacting revenge on the police force.
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刑事のトンは、凶悪犯の追跡中に誤って少女の命を奪ってしまう。トンは自責の念に苛まれながらも犯罪組織を追うが、亡き少女の妹に組織の魔の手が迫っていた。
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On the eve of her wedding, Hitomi loses her fiance Tatsuya to a car accident. She travels to Hong Kong seeking solace and meets undercover cop Karbo — a dead ringer for Tatsuya. The duo is forced to take it on the lam when a corrupt colleague frames Karbo, and Hitomi soon finds herself torn between her love for Tatsuya and her blossoming feelings for her fellow fugitive.
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The once happily married couple turned adversaries when husband Alex comes home and informs his wife Bo Bo that he is leaving her for another woman. Furthermore, he gained custody of their only daughter. The series of incidents drives Bo Bo into a deep depression and she arrives at Alex's house-warming party uninvited. Doom draws near as the story comes to a startling conclusion.
Original Music Composer
Correction Officer Kwok Kam Hung is a gambling addict and owes a large sum of money, so he constantly makes money through the inmates. The department finds out and fires him. Unemployed, Hung seeks other means to survive and recalls a trick formula that will daze the victim and take the victim's money. He first tries and succeeds in dazing a prostitute and taking her money. Hung then decides to inject the daze drug into drinks in convenient stores.
This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.
