Angelo Baistrocchi

参加作品

L'amantide
Director of Photography
Santoro family lives in an elegant country villa the whose ancestor is the old Theodora. One day her son has an accident and is paralyzed; Eleanor, his wife throws herself into the arms of a lover, but the mother-in-law does everything possible to replace it with another of her choice.
Erotic Games of a Respectable Family
Cinematography
Professor Ricardo Rossi is an uncompromising moralist and a paladin of Catholic morals. He is understandably baffled when he finds his wife Elisa in bed with another woman (whom Rossi mistakens for a man). Furious, he poisons his wife and throws her body into a lake, then brings home a prostitute, Eva, to replace her. He also begins an affair with his niece Barbara. But Elisa is not dead, as Rossi soon finds and she is plotting with Eva to get rid of him. Rossi is more precise this time and shoots the two women dead. However, there is a complication and more deaths ensue...
The Gardens of the Devil
Cinematography
A veddy veddy proper British officer (Isarco Ravaoili, later to appear in the even worse Achtung! The Desert Tigers) tries to whip a group of recalcitrant American troops into shape in order to lead them on a dangerous commando raid deep in enemy territory. He's assisted in his efforts by Lt. Billings ('Jeff Cameron', aka Giovanni Scarciofolo), a comparatively sane US Army officer. Coming very late in the Italian war movie cycle, I Giardini del Diavolo (Heroes Without Glory) is bottom of the barrel cinema scrapings, with little effort made to maintain period detail or military accuracy. Thankfully, there's a fair amount of action provided as a distraction from the threadbare plot and early '70s hairstyles.
Agguato sul Bosforo
Cinematography
Eurospy movie
Scandali nudi
Director of Photography
"Scandal Nudes" - A theater manager wants to stage a striptease act but his jealous wife puts a lot of obstacles on his way.
Killer Without a Face
Camera Operator
A woman is chased onto the ramparts of a castle by a gun-toting figure. She stumbles and falls to her death. Barbara, the mentally unbalanced owner of the castle, is the main suspect. However, there is no proof against her and the murders continued. But not everything is quite as it seems. The film is set in the Balsorano Castle and is shot in expressionistic black-and-white.
I nuvoloni
Cinematography
Sword of the Conqueror
Second Unit Director of Photography
Alboino, the Lombard ruler, wants to marry the daughter of a neighboring king, but she loves another. Her father arranges the marriage to Alboino, which he believes will be beneficial to him, only to have Alboino kill him and leave Amalchi, his daughter's real love, beaten and left for dead. Amalchi recovers to lead a revolt against the murderous Alboino and reclaim his woman.
The Vampire and the Ballerina
Cinematography
A troupe of beautiful dancers find themselves stranded in a sinister castle, not knowing it is home to a group of vampires.
A vent'anni è sempre festa
Director of Photography
Ripudiata
Cinematography
A young countess is wrongly accused of adultery and shunned by her husband. She leaves and becomes a successful opera singer and when war comes returns to face her accusers, see her son and clear her name.
Disonorata - Senza colpa
Cinematography
Nasce un campione
Director of Photography
This short documentary, Elio Petri's directorial debut, deals with the passion of the Italians for cycling. It concentrates on a young deliveryman, who uses the bicycle at all times of his life and dreams of becoming a professional cyclist.
Heroic Charge
Camera Operator
In 1941 an Italian regiment known as the Savoy Cavalry is sent by Mussolini to Russia to assist the German invasion. After crossing an extensive area of Soviet territory the men arrive at a village that seems deserted. A patrol sent on reconnaissance comes under machine-gun fire from the top of a bell-tower.
The White Ship
Assistant Camera
Although released anonymously, as was the custom with all films produced by the Italian Navy, La Nave Bianca is the first feature-length effort directed by Roberto Rossellini; it is also very much the work of its co-writer and supervisor Francesco De Robertis. The film combines a documentary look at the Italian Navy during World War II with newsreel combat footage and a scripted love story performed by non-professional actors.