Carlos Correa

参加作品

Valentina or the Serenity
Cinematography
Young Valentina uses all her might to believe that her deceased father is still alive.
Love and Mathematics
Cinematography
After his time in the boy band "Equinoccio", Billy Lozano is in his late thirties very frustrated with his life, he lives with all the comforts in the house of his dreams, but he feels like the biggest loser in the world since his last entrepreneurship failed once again, he has no other occupation but to take care of his son and his wife's dog. Until one day he meets Monica, an ex-fan of "Equinoccio" who moves in the house in front of them and encourages him to resume his artistic career.
The Realm of God
Producer
Neimar, who is currently preparing for his first communion, asks his grandmother how you can feel God. Claudia Sainte-Luce's film does not yield simple answers. Instead, it follows with a shrewd and bright view the world perception of a child in which - between the thundering of the ten commandments and horse racing - the profane and the transcendent are rearranged.
The Realm of God
Cinematography
Neimar, who is currently preparing for his first communion, asks his grandmother how you can feel God. Claudia Sainte-Luce's film does not yield simple answers. Instead, it follows with a shrewd and bright view the world perception of a child in which - between the thundering of the ten commandments and horse racing - the profane and the transcendent are rearranged.
La isla de los sacrificios
Editor
Adaptation of the legend of La mulata de Córdoba
La isla de los sacrificios
Director of Photography
Adaptation of the legend of La mulata de Córdoba
Nudo Mixteco
Associate Producer
The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.
Nudo Mixteco
Cinematography
The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.
The Path Of The Sun
Cinematography
A little boy is kidnapped outside his neighborhood. Her mother decides to seek for him while authorities disregard her case.
En los espacios de silencio
Cinematography
It is a warm afternoon in Mexico City; Cornelio and Fabiola are finishing their workday. While they pass through different points of the center and Cornelio narrates the world to Fabiola - In the spaces of silence-; a game of love and intimacy is revealed.
North Pacific
Cinematography
Sofía makes a home-made video of her holidays travelling through the North Pacific coast with her friends Marielena and Clara. Marielena is obsessed with following the itinerary she made, but Sofia's irresponsibility and spontaneity force her to take new decisions. Meanwhile, Clara carries with the secret of a possible but doubtful pregnancy.
Snail House
Cinematography
Sofia leaves the city to a provincial town. There she meets Nico and the inhabitants of Casa Caracol, an alternative hostel in the middle of the jungle. Nodding party nights and brotherhood, Sofia falls in love with Nico and joins the "magical" village life.
Number Eighty
Cinematography
Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired motorcycle racer, with whom he is forced to work, he will discover where his real home is.
The Reaper
Cinematography
Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.
Epílogo
Writer