Vladimír Tišer

An allegory set in an archetypal Czech village, it tells of what happens when a sequence of mysterious events take place, including the disappearance of the stationmaster. While everything has a rational explanation, collective paranoia takes hold and everyone’s worst instincts are released. Interrogations, the abolition of rights and the search for scapegoats ultimately lead to murder

To Moscow have arrived the participants of the international conference of the zoophilologists and also the international jury which is to elect for the world festival the best performance of the program of Moscow circus. Mrs Whistler (Iva Janzurová), British associate professor, makes her understood with the animals in their language but the Czech professor Ruzicka (Jirí Sovák), though he is capable of using the animals language, prefers teaching the animals the human language. Ruzicka's friend, the poodle Archibald, speaks "in Human" very well. The scientific dispute ends with a bet - if Ruzicka teaches the circus elephant to sing, Mrs Whistler will eat up her hat.

1974 Czechoslovak drama film directed by Karel Steklý.

The bank officer Bedrich Hroch is sent by the bank director to the zoo, which asked an allocation of one and half kg of gold for a gold tooth for a hippo. During the check up of the hippo's teeth Bedrich is swallowed by the hippo. The man does not die in the hippo's guts and he chats quite happily with his frightened wife Dása. Journalist Pip Karen, his friend is also present to the dialogue and he has immediately an idea how to use this special situation. He tells to the new minister Borovec and his opponent professor Fibinger that there is a hippo in the zoo which can speak. He also tells them how to use this situation for a political propaganda.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

In the aftermath of World War II, a soldier takes charge of a manor formerly owned by a German family and falls in love with the daughter, now a maid. Their relationship forces him to confront the tension between his love and his conscience.

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

Widowed yeoman Tuma and his household are on their way to help the town of Kourim, which is under attack by the papist troops. His son Ondra is secretly following his father. Miksík the castellan, who is responsible for Ondra, finds himself forced to set off after the boy. They are both captured by soldiers from Kutná Hora. Miksík sacrifices himself to give Ondra a chance to flee. On the way, Ondra runs into the orphan Sulík. The two boys become friends and begin to wander together.

Cast out by his father, young Ondrej joins the Order of the Teutonic Knights, where he is raised by strict monk Armin. After years of hardship, Ondrej escapes from the Order when he is wrongly punished, and sets out for his former home. Arriving to discover his father to be dead, Armin now not only assumes control of his fathers properties, but seeks to marry his former stepmother.

The invincible agent Cyril Juan Borguette alias W4C has been assigned a mission to go to a hotel in Prague, get hold of a saltcellar with a plan for the military exploitation of Venus hidden in it, and hand it over to the beautiful agent Alice. He will have to compete for the saltcellar with other agents working for the world's various greater and smaller powers. The head of the Prague counter-intelligence unit gets news of agent W4C's mission. Deficient in personnel, he nominates accountant Foustka as agent 13B. Mr Foustka takes his dog Pajda with him and the two head for the airport. Pajda helps him track down agent W4C in a classy hotel that becomes the battleground for the interests and plans of the secret agents from different countries, each trying to get hold of the precious saltcellar.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Oldrich is the runt of his village, beaten by his father, bullied by the other boys. But he has imagination of his side, and a wiry toughness they can’t defeat. The village is in turmoil, because the Nazi occupiers have just retreated and the Red Army is advancing. Oldrich dodges amid the mayhem and panic, taking his share of blows but always managing to stay one step ahead. Beautifully shot and darkly ironic, Karel Kachyna’s forgotten masterpiece jumbles reality, memory and fantasy to capture the intensity and confusion of childhood in a war zone.